Inua Ellams wrote a poem entitled “Portrait of Prometheus as a Basketball Player” in which he imagined “the fire stolen from the gods to be shaped as a basketball, and Prometheus dunking light into the world.” [Note: Ctrl + F for “Portrait of Prometheus” at this link to read the poem.] Over at Magma, Ellams discusses “the process of composing a poem, as a coach might stitch a [basketball] team together.” Perhaps all of this explains Patricia Lockwood’s interest in Shaquille O’Neal?
In a piece for Public Books Rebecca Steinitz reviews some recent historical novels, including The Luminaries and The Invention of Wings, and argues that the best historical fiction “plunges the reader wholly into the past, enlightening and entertaining us, while also making us reflect on our present, in history and in literature.” Pair her piece with Laila Lalami‘s account of “How History Becomes Story.”
Conversational Reading covers “Four Greek Writers That You Should (and Can) Read.”Wells Tower interviewed on The Dinner Party Download.Anne Trubek at Good Magazine recommends our site to “Post-Collegiate Literary Types”The Elegant Variation gets a new reader. Congratulations, Mark!Make of this what you will: “Popular Japanese horror writer Koji Suzuki will publish a short novel called Drop on rolls of toilet paper.”Wikipedia Find of the Week I: Criticism of Wikipedia (so meta)Wikipedia Find of the Week II: No one cares about your garage band (so snarky)”Updike’s Sunset:” Kakutani takes on two newly published Updike collections, My Father’s Tears and Other Stories and Endpoint and Other Poems.Further Reading: Consider revisiting our guest post from last week, Finding Indie Opportunity on The Kindle, where a very interesting discussion developed in the comments.
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. “If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives.” On another side of the secrecy spectrum, Emma Straub writes about what it’s like to keep a personal secret even as her literary life was booming.
Millions writer Sonya Chung has a trenchant essay up at Huffington Post on the topic of writing and motherhood: “Art Before Life: Questioning the Parenthood Question.”