Boston Review’s Aura Estrada Short Story Contest is underway. This year’s submissions will be judged by What We Talk About When We Talk About Anne Frank author (as well as Year in Reading contributor) Nathan Englander, and the victor will earn a $1,500 prize as well as publication.
In The Atlantic, Johnathan A. Knee writes about how curation and aggregation can be more profitable than content creation. That is the idea behind BookLamp, a new search engine based on books' content and writing style, not sales data. “At times, being able to ignore the marketing data can be good for the recommendation,” explains CEO Aaron Stanton.
John Sunyer checks in with Franco Moretti at the Stanford Literary Lab. Moretti, a 63-year-old professor of English, is the author of Distant Reading – a book in which he lays out his long-held belief that “literary study doesn’t require scholars to actually read the books.” Rather, he believes in a “new approach to literature [that] depends on computers to crunch ‘big data,’ or stores of massive amounts of information, to produce new insights.”
Tonight at 7pm, Hari Kunzru will visit WORD bookstore at 126 Franklin Street, Brooklyn, NY for an event co-hosted by The Millions. Visit the WORD website for further details and RSVP. Join us!
In the late fifties, an old flame of Samuel Beckett, Ethna MacCarthy, fell ill and died of throat cancer in Dublin. Around this time, female voices began to enter Beckett’s work, which up until that point had featured almost exclusively male characters. Was there a connection? In a review of a new edition of Beckett’s letters, Fintan O’Toole suggests that there was. You could also read Elizabeth Winkler on the author’s bilingual oeuvre.
“Every atom of my blood, form’d in the soil of this earth, runs hot / As I wheel through this snaked monster of steel, The Steamin’ Demon.” Ride The Steamin’ Demon at Six Flags with Walt Whitman. Pair with our own Michael Bourne’s piece on how Whitman saved his life.
Administrators at Cushing Academy in Massachusetts "have decided to discard all their books and have given away half of what stocked their sprawling stacks - the classics, novels, poetry, biographies, tomes on every subject from the humanities to the sciences. The future, they believe, is digital." (Thanks to Millions reader Laurie who asks, "So what happens when the power goes out?")