Cool Move Alert: Kyle Minor is reviewing audiobooks for Salon. His first piece is on Dave Eggers’ Hologram for the King, as read by Dion Graham (The Wire, Law and Order).
Audiobook Reviews by Kyle Minor
Defining American Writing
In TNR, Ruth Franklin attempts to debunk the “strangely antiquated definition of American writing” posited in Dalkey’s Best European Fiction anthology. (via)
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New Michael Lewis Book On the Way
Michael Lewis’s next book, which is due to hit shelves in March, will be concerned with “the financial world.” And that’s really all we know about it at this point.
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Tragedians
As part of their Literary Ladies Cage Fight series, The Butter pitted two of Shakespeare’s most well-known characters against each other, staging contests between Hamlet’s Ophelia and Romeo and Juliet’s Juliet. Who won, you ask? Only one way to find out. You could also read Stefanie Peters on women and Shakespeare’s plays.
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The Great American Novelist
“And that might be the best way to understand Erdrich’s artistic project: as a celebration of beauty and a testament to the redemptive power of art — which, of course, includes storytelling.” Rumaan Alam interviews Louise Erdrich about her illustrious writing career for Buzzfeed Reader. Erdrich’s newest novel Future Home of the Living God was featured in our November Preview.
Everything Is Interesting
“Baker is such a wonderful prose stylist that he could probably get away with publishing his diary—which, for epic stretches, is what Substitute feels like.” Over at The Nation, Evan Kindley reviews Nicholson Baker‘s latest, a 700-plus-page non-fiction exploration of substitute teaching. Spoiler: it’s not as sexy as Baker’s other work. If it’s the sex you want, see our primer on Baker’s novels; also immensely entertaining, our interview with the author from 2013.
“Sing About Me”
“Good kid m.A.A.d city is a memento mori haunted by dead and living ghosts…When they are pieced together as a sequence they act like Muybridge’s zoopraxiscope: they give us the impression that from these clips we are watching a black boy learn to fly above it all.” Rachel Kaadzi Ghansah looks at hip-hop, Kendrick Lamar, and the tradition of the black blues narrative.