It seems that one paint company has made literal The Paris Review’s literary paint chips. Pantone claims the new color schemes are drawn from the living quarters of authors such as Flaubert, Chandler, and Henry James.
“As I read her words, I experienced a feeling previously unknown to me: recognition. I had always turned to books for pleasure, as portals to other places. Reading The Woman Warrior, for the first time I saw myself on every page and in every word.” For Catapult, Alexis Cheung writes about representation, being an Asian-American writer, and reading and interviewing Maxine Hong Kingston. From our archives: Kingston’s work was featured in Alexander Chee‘s 2015 Year in Reading.
“War happens when words no longer work. Yet war is declared at the very point when words are at their most powerful. It’s an odd kind of paradox. In a time of war, the familiar words of your own language can become even more significant, as language is linked to the idea of home.” At JSTOR Daily, linguist Chi Luu looks at trauma and language loss.
The Fault in Our Stars isn’t even out yet, but John Green already has another adaptation on the way. Fox 2000 will bring Paper Towns to screen next with the same screenwriters and producers as The Fault in Our Stars. Green will also be producing. “If you don’t like something, you can blame me,” he tweeted. Fault supporting actor Nat Wolff will star as the sleuthing Quentin. We just want to know who will play the enigmatic Margo Roth Spiegelman.