It seems that one paint company has made literal The Paris Review’s literary paint chips. Pantone claims the new color schemes are drawn from the living quarters of authors such as Flaubert, Chandler, and Henry James.
Theoretically, it pays to get a novel on Amazon’s best seller list. In reality, though, a bestselling novel doesn’t make as much in cold hard cash as you’d think.
"That’s always been part of my goal — to show the dark side of women. Men write about bad men all the time, and they’re called antiheroes. ... What I read and what I go to the movies for is not to find a best friend, not to find inspirations, not necessarily for a hero’s journey. It’s to be involved with characters that are maybe incredibly different from me, that may be incredibly bad but that feel authentic." Gillian Flynn and Cheryl Strayed talk with The New York Times about the adaptations for Gone Girl, Wild, and writing credible characters. Their conversation pairs well with our own Edan Lepucki's essay on likability in fiction.
"He is a man who has written a lot about politics and knows something about expectation-setting — set the bar low, and it’ll be easy to top it." The Awl rounds up its review series of online Masterclasses with such esteemed personages as Aaron Sorkin, James Patterson, and Werner Herzog. See also: our own Sonya Chung's review of Sorkin's film The Social Network.
Recommended Reading: Sarah Sansolo on her childhood obsession with Britney Spears.