Twelve days after Gustave Flaubert died, a friend cataloged the writer’s personal effects. 48,311 days later, Joanna Neborsky illustrated them.
Our own Bruna Dantas Lobato reflects on her position living between languages. “I learned English out of necessity and that comes with its own problems—aesthetic and political ones. With childhood in one language and a writing life in the other, I’m standing both inside and outside my mother tongue and my stepmother tongue.” Pair with a piece on the important role of translators in literature.
“‘It is the novelist’s innate cowardice that makes him depute to imaginary personalities the sins that he is too cautious to commit for himself.’ The autobiography of the imagination then is an autobiography of our base desires, the things we haven’t done but have longed for. It is our fantasies, our secrets from which we curate by redaction how someone else sees us. It is an autobiography of instinct, desire.” Emilia Phillips on poetry as the autobiography of the imagination, over at Ploughshares.
In his review of Ben Marcus‘s The Flame Alphabet for the LARB, Lee Konstantinou suggests that we have now moved well beyond the death of the author: “In an era where everyone has a novel waiting to come out, authors are legion; it’s the reader who seems, well, dead.” When we interviewed Marcus earlier this year he did not seem particularly mournful. We also reviewed the novel.
Over at Full Stop, Scott Cheshire mulls the concept of Armageddon, or, as he calls it, “The Other American Dream.” Meanwhile, a French photography team is traveling the world to take pictures of cities “without signs of life.” Perhaps the fascination isn’t so American after all.
This fall the University of Iowa’s International Writing Program is offering a free, 7-session live online Advanced Fiction Seminar. The course will run from September 16 through October 28, and it will be taught by fiction writer Nate Brown. Best of all? It’s open to anyone with an internet connection. Applications are due September 6th.