Twelve days after Gustave Flaubert died, a friend cataloged the writer’s personal effects. 48,311 days later, Joanna Neborsky illustrated them.
Some copies of Mad About the Boy – the latest installment in Helen Fielding’s Bridget Jones series – included passages from British actor David Jason’s memoir, which was being released on the same day. Supposedly the entire thing was one big mistake. Over at the LA Times, however, Dan Zevin imagines “a juicier scenario.”
“The terrible thing is that the reality behind these words depends ultimately on what the human being (meaning every single one of us) believes to be real. The terrible thing is that the reality behind all these words depends on choices one has got to make, for ever and ever and ever, every day.” James Baldwin on the artist’s struggle for “integrity.” Here’s a bonus piece from The Millions on Baldwin, race, and fatherhood.
How do you spell t-r-a-c-t-i-o-n? Our recent stories about the spreading Occupy Wall Street protests seem to be part of a trend. The Pew Research Center’s Project for Excellence in Journalism reports that the protests accounted for only 7% of coverage in all news media nationwide in the past week — but that’s a four-fold increase from the week before.
Yesterday, I wrote that I “[had] yet to read a comprehensive debunking” of B.R. Myers. For those still interested, I’ve been directed to some candidates: Meghan O’Rourke (2001), Daniel Green (2007), the Washington City Paper (2010, concerning neocon ideology and the shadowy RAND corporation), and part I of Steven Moore‘s The Novel: An Alternative History.
New this week: You’re Not Much Use to Anyone by David Shapiro; A Song for Issy Bradley by Carys Bray; After Everything by Suellen Dainty; The Blue Buick by B.H. Fairchild; Ice Shear by M.P. Cooley; and a new translation of The Bacchae by Euripides. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.