The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
“You can’t be up the reader’s ass, as many a writer I think is—cute as hell, ingratiating as hell.”
Sounds Dear
The Guardian posted a short story from Alice Munro’s new collection.
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Details are vague
China Miéville on apocalyptic London for The New York Times Magazine: "Standing so straight on a raised dais, in so immaculate a uniform that he looks like a ventriloquist’s dummy, the Metropolitan Police Service’s new commissioner, Bernard Hogan-Howe, tells the conference in an avuncular voice about his plan for 'total policing. ' He is enthusiastic but nebulous. Details are vague."
“It’s why the gift horse is a gift”
Recommended Reading: “The Tiny Men in the Horse’s Mouth” by Matthew Olzmann for New England Review.
Cooking with 2 Chainz
“Put on your Versace apron,” and “if wearing a four-finger ring, carefully place it on a side table before starting to cook.” It’s time to explore the 28-page “cookbook” included in 2 Chainz’s latest album, B.O.A.T.S. 2 #Metime.
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RIP John Ashbery
The New York Times is reporting that the poet John Ashbery has died. A major figure in American letters, Ashbery won the Pulitzer Prize, the National Book Award and the National Book Critics Circle Award in a single year for his book Self-Portrait in a Convex Mirror. The full Times obituary has more.
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Face Off: Kardashian/Kahlo
"Where does the line between the self-portrait and the selfie fall? Both Kardashian West and Kahlo are masters of the form—suggesting that perhaps there is no clear line at all." Anyone who puts Frida and Kim together in an essay, as Sarah Murray has for The Rumpus, has our full and enthusiastic support. Also relevant: Alizah Salario's piece about the naming of North West.
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With Very Small Font, Of Course
Ireland debuted a new stamp featuring a 224-word short story written by Dublin teenager Eoin Moore.
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