The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
“I used to go out in the brush sometimes,/So far out there no one could hear me,/And just burn.” In the new issue of Gulf Coast, Nico Alvarado writes poems from the perspective of Friday Night Lights’s Tim Riggins including “Tim Riggins Speaks of Waterfalls” and “Tim Riggins Invents a New Number.”
Sometime Millions contributor and New York Daily News editorial staffer Alexander Nazaryan has kicked off the Daily News‘ new literary blog, Page Views. Nazaryan says, “you may not think of the tabloid as a particularly literary format, but we are going to challenge your assumptions of what constitutes literary/cultural reporting in this town.” His first post, “Don’t tell me the book is dead,” went live this morning.
Before Dr. Seuss penned the Lorax who spoke for the trees, he drew ads for Standard Oil, General Electric, and a host of other large corporations who spoke for a considerably different constituency. This great collection of advertising artwork from Theodore Seuss Geisel courtesy of the Mandeville Special Collections Library at the University of California, San Diego.
“I started keeping a journal when I was eight, but even before then I was a kid who loved making long lists of everything I could see or remember. Coconut, tricycle, jeepney, air freshener, I would write, for example, and my lists would lengthen and become even more specific as I grew to know the world around me. […] Reading and writing always seemed a part of my life and identity.” For The Rumpus, Swati Khurana interviews Janine Joseph about writing poems as teenagers, writing from experience, and what it meant for Joseph to “come out” as an undocumented immigrant.