One Goodreads vigilante has created a master list of authors notorious for responding immaturely or meanly to negative reviews of their work. Elsewhere, iDreamBooks, a new Rotten Tomatoes-type service, was launched. The site aggregates critics’ book reviews and shows you what to read next.
In the latest issue of Harvard magazine, Nathan Heller writes about Arion Press, the last remaining “full-service letterpress in the United States.” Apparently Arion, which has “an in-house foundry where lead is melted into ingots,” sells editions of canonical titles (like Ulysses) that retail for thousands of dollars. (h/t our own Kevin Hartnett)
Recommended recommendations: Weird Fiction Review has compiled a list of notable "weird" French and Belgian writers.
The Morning News Tournament of Books is almost here, and to stoke our excitement, the editors drew up this neat-looking circular bracket. If you squint at the top left, you'll see our own Edan Lepucki, who's judging The Round House by Louise Erdrich and The Fault in our Stars by John Green.
Tasteless and horrifying--nay, even a sign of the apocalypse--or rather excellent advice for college-bound young ladies? You decide: Vice Magazine's "A Beginner's Guide to Drugs For Girls." (A taste: "Here are some pointers for the beginners out there so you can get high without becoming that girl slumped in the corner of the night bus with vomit all over your shoes and lockjaw so bad your teeth have all snapped in half.")
“Will excessive drinking unleash your creative energy? Who can say?” Over at The Toast, intrepid cataloger Ren Arcamone has compiled a list of things you could be doing instead of writing your thesis. Go read it instead of writing your thesis. Continue the stay of essay execution and check out Mallory Ortberg’s hilarious (and helpful) guide to some common signs that you might be dying in a Victorian novel.
“They would have closed, if the community hadn’t stepped forward.” The Guardian reports on the rapidly growing number of British libraries being run by volunteers, a trend driven by austerity cuts (which Corinne Purtill wrote about in these very pages just a few weeks ago).