Charles Yu’s new collection of stories, Sorry Please Thank You, is out today, and so is Tana French’s novel Broken Harbor. Both were on our Great Second Half of 2012 Books Preview. Leigh Stein’s new book of poems, Dispatch from the Future is also in stores today, alongside Ali Smith’s There But For The in paperback.
“That has always been the unsettling irony of the carefree aesthetic. Rhetorically, it denies the full unpredictability of black experiences in America. It is a stereotype, albeit one intended for benevolence and created, perhaps lovingly, by black people.” Doreen St. Félix writes about the roots and ramifications of the “Carefree Black Boy” phenomenon.
“…a range of products appeared on the market carrying Pushkin’s image to the masses – cigarettes, matches, candy, pens, stationery, inkstands, liqueur, knives, watches, vases, cups, shoes, dresses, lamps, fans and perfumes. There was even a board game called ‘Pushkin’s Duel.'” The omnipresent cultural status of Pushkin in Russia.
The editors of Apogee Journal have reserved themselves the right not to read submissions blindly. As they explain it, “Blind submissions don’t actually protect writers from the existing prejudices of editors, and they alone do not contribute to editors reading inclusively.”
Though traditionally a cultural staple, Irish poetry’s popularity has been on the decline for some time now. The best way to reignite public interest? A contest, of course, and Seamus Heaney just won. His sonnet “When all the others were away at Mass” was voted “Ireland’s best-loved poem written over the past 100 years.”
Recommended Reading: Tabitha Blankenbiller responds to The New York Times’ piece on Manly Book Clubs. “Reading the article yet again, my pity for this dude squad begins to blossom. To think that they will head into the ground without the words of Terry Tempest Williams or Lidia Yuknavitch or Sandra Cisneros in their hearts.” For a bit of humor about a manly book club, check out our rock ‘n’ roll book club.