New this week is Carlos Fuentes’ vampire tale set in Mexico City, Vlad. Also out are The Collective by Don Lee, Tigers in Red Weather by Liza Klaussmann, Shine Shine Shine by Lydia Netzer, and Evel Knievel Days by Pauls Toutonghi, who last year introduced us to six Egyptian writers as the world watched the Egyptian revolution.
Tuesday New Release Day: Fuentes, Lee, Klaussmann, Netzer, Toutonghi
Hard Time
One of the more common questions that comes up in The Nervous Breakdown’s self-interviews is what the subjects consider to be the hardest part of the writing life. The most recent edition sees Jac Jemc, whose latest came out last week, admit that time is what foils her: “Everything takes longer than I think it will, more drafts than I think it will.” This might be a good time to look back on some earlier examples of the form.
Facebook Fun
Millions Fans: The Millions Facebook group now has over 400 members. We'll be asking group members to help us with some upcoming special features, so join up (if you're into that sort of thing.)
National Book Foundation 5 Under 35
The 2015 National Book Foundation 5 Under 35 Honorees have been announced! This year’s honorees are Angela Flournoy for The Turner House (our review here), Azareen Van der Vliet Oloomi for Fra Keeler (our review here), Colin Barrett for Young Skins (which appeared in our most recent book preview), Tracy O’Neill for The Hopeful (you can read her Millions articles here and here), and Megan Kruse for Call Me Home. For all of the National Book Award longlists, check out our post.
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This Week in Russian Lit.
The Morning News has just launched a series on contemporary Russian literature. For this week's installment Anna Starobinets provides an exerpt of her debut manuscript, An Awkward Age, and chats about her writing with Elizabeth Kiem. In the New Yorker, Sally McGrane profiles Boris Akunin, Russian writer of potboilers and political dissident.
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Not Super Idealized
Recommended Reading: This interview from Full Stop with Lisa Hanawalt, producer and production designer of the Netflix series BoJack Horseman: "We aren’t supposed to openly discuss shitting in polite society, so making artwork that frankly portrays it is titillating. I think it’s called 'desublimation' in fancy art-school terms, but it’s going back to a childish, playing around in our own muck state, and that’s why it’s as fun and appealing as it is repulsive."
On Craft and Color
"[A]ny discussion of craft does not take place in a vacuum – that race is part of one's lived experience and how we see ourselves and are seen does impact how and what we write." Poet Neil Aiken puts together an absolutely indispensable list of texts – books, essays, lectures and beyond – on the craft of writing by writers of color. See also: our own Edan Lepucki's impromptu syllabus of craft readings.
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