Megan Abbott’s Dare Me is out today. Learn more about her in an essay we published a year ago. Also out are You & Me by Padgett Powell, ML Stedman’s debut novel The Light Between the Oceans, and Dead Stars by L.A. great Bruce Wagner.
Tuesday New Release Day: Abbott, Powell, Stedman, Wagner
Do You Eat Pork?
And now, a little bit about a world you might be totally unfamiliar with; this piece from The Rumpus is a fascinating, in-depth look at identity politics and eating pork in the Chinese borderlands. Bonus: a complementary piece about what it’s like to be a Chinese-American writer living in china.
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The Science of Language and Creativity
At the Philadelphia Inquirer, neurologists look at cases where serious brain injury has actually brought about higher levels of creativity in artists, particularly where linguistic ability is harmed. “Language is the bully of the brain,” [one neurologist] says. “It takes up its own space and if something else gets crowded out, too bad.” (via Book Bench)
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Even If You Lose, You Win
The deadline for BOMB‘s poetry contest — judged by Leaving the Atocha Station author Ben Lerner! — is April 16th. The $20 submission fee should be pretty palatable to everyone because it comes with a subscription to the magazine.
When He Was Good
The 80th birthday of Philip Roth inspires a festschrift of sorts over at New York Magazine, with Sam Lipsyte, Kathryn Schulz, James Franco (natch), and others weighing in on Roth’s Best Book and other vexed questions. (For the record, it’s Sabbath’s Theater.)
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Millennium Trilogy
Stieg Larsson‘s Millennium trilogy is going to be adapted into a series of comic books by DC Entertainment. David Fincher‘s movie adaptation (trailers and information here) is slated for a December 21st release.
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“An opus d’odure”
Heaven forbid someone ever draws parallels between your writing and that of “Robert Rabelais the Younger.” For his work, published in the nineteenth century, has been described as “the most appallingly bad epic poem to have ever been written in English, comprised of 384 interminable pages of doggerel verse devoid of any literary merit, an opus d’odure that screams stinkburger.” (And that’s one of the more positive evaluations.)
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Melville House’s Hybrid Books
Emily Witt checks out Melville House’s new Hybrid Books for The New York Observer. The publisher says they are “an innovative publishing program that gives print books the features of enhanced eBooks.”