Megan Abbott’s Dare Me is out today. Learn more about her in an essay we published a year ago. Also out are You & Me by Padgett Powell, ML Stedman’s debut novel The Light Between the Oceans, and Dead Stars by L.A. great Bruce Wagner.
Many feared the permanent loss of thousands of precious manuscripts and relics after insurgents razed Timbuktu’s Ahmed Baba Institute of Higher Learning and Islamic Research. The Institute was home to over 30,000 manuscripts dating back to the 13th century. Or was it? In a fascinating report, Rukmini Callimachi details the extraordinary efforts of the some passionate locals that wound up saving much of the collection.
Recommended Reading: Can desire thrive without freedom? On the works of Margaret Atwood and Michel Houellebecq in The Atlantic. Our essay on Atwood’s vision of the future and review of Ben Jeffery’s Anti-Matter: Michel Houellebecq and Depressive Realism pair nicely.
David Carr takes a look at The Atavist, whose team of multimedia gurus has won the attention (and seed funding) of Google founder Eric Schmidt. Of course, the outfit’s also been receiving generous attention for their quality work, too. (I mentioned them a few months ago.) More recently, however, certain scientific circles have fawned over the subject of their story The Electric Mind, which tracks one paralyzed woman and the scientists who developed the BrainGate technology which eventually got her moving… robotically.
We’ve published a fair number of pieces about the import of book covers. You may have read one of our US-UK book cover battles. Over at The Awl, Amanda Pickering takes a look at one of the stranger aspects of book design: the animals that appear on the covers of programming books.
You can read the entire first chapter from László Krasznahorkai’s latest novel, Seiobo There Below. We reviewed the work on our site last month. Meanwhile, the Hungarian author has recently received an unwelcome invitation. As literary scholar Tibor Keresztúry notes (via George Szirtes’s translation), “a certain G Fodor Gábor, the strategic director of the Századvég (Century’s End) Foundation … suggests that [Krasznahorkai] should shoot himself in the head.”