Patrick Somerville’s latest novel, This Bright River, was recently reviewed in The New York Times by Janet Maslin, who found the book to be, among other things, “soggy.” Unfortunately, some of her critique was based on a mistaken reading of Somerville’s work. I’ll let Patrick take it from here.
“The New York Times, the paper of record, had written a fictitious character to verify a fact.”
A Curious Ambivalence
Colin Dickey for Hazlitt has written a fascinating essay exploring the myth and superstition behind the ritual veiling of mirrors while in mourning. Did our own Sonya Chung cover her mirror while she mourned the passing of Mad Men?
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What Charlie Kaufman Has to Offer
In 2011, Eternal Sunshine of the Spotless Mind screenwriter Charlie Kaufman gave a 70-minute lecture at the BFI in London. Little did he know Eliot Rausch would take snippets from that lecture, set them to accompanying, complementary visual clips, and turn the entire thing into a marvelous, beautiful video entitled What I Have to Offer.
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Murakami Meets Spotify
The popular European music site Spotify debuted in the US last week, and already the fine folks at GalleyCat have made a Haruki Murakami playlist.
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More on Rizzoli’s
Rizzoli’s is closing, but if the owners have their way, there’ll be a Rizzoli’s II opening its doors in the near future. In the meantime, you can read this Times piece about the bookstore, which puts its closing into context.
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True South
Amidst all the controversy surrounding Go Set a Watchman, one question that gets left out is how realistic, exactly, the book is in its depiction of its setting. At Salon, Scott Timberg sits down with Professor Angela Thorburg, who makes a case that regardless of its literary qualities, Watchman is “a very accurate perspective of what’s going on here in the South.”
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Figuratively Unbelievable
Getting sick of people who overuse the word “literally”? A new browser extension kindly replaces instances of the word with “figuratively.” At Slate, Will Oremus tries out a godsend for pedants. (A Millions piece by Fiona Maazel nicely complements his article.)