Patrick Somerville’s latest novel, This Bright River, was recently reviewed in The New York Times by Janet Maslin, who found the book to be, among other things, “soggy.” Unfortunately, some of her critique was based on a mistaken reading of Somerville’s work. I’ll let Patrick take it from here.
As if the ebook juggernaut didn’t already have enough steam behind it, The Washington Post says that, “perusing electronically will lighten your environmental impact.” You see, “every time you download and read an electronic book, rather than purchasing a new pile of paper, you’re paying back a little bit of the carbon dioxide and water deficit from the Kindle production process.”
BuzzFeed is launching an Emerging Writer’s Fellowship, complete with $12,000 stipend, and Saeed Jones, whose poetry collection Prelude to Bruise was released last year, will be their new Literary Editor. Electric Literature talked to Jones about digital journalism, the need for diversity in writing and publishing, and what he’s looking for in Fellowship applicants.
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
“You don’t feel that most of the people in these incidents do not like black people, but simply are a product of their white supremacy and are exercising it on you without caution, care, or thought.” Solange Knowles wrote an essay and you need to read it. See also: our review of Wild Hundreds.
A new Margaret Atwood novel is out this week, as is a new book by Nobel laureate J.M. Coetzee. Also out: The Maid’s Version by Daniel Woodrell, At the Bottom of Everything by Ben Dolnick and Duplex by Kathryn Davis. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.