Leanne Shapton spoke with the New York Observer about drawing, writing, friendship, competitive athletes, and her new book Swimming Studies, which has been excerpted by The Paris Review Daily, and, of course, reviewed here on the The Millions.
Poolside Reading
Girl Prodigies
Millions contributor Michelle Dean wrote for The New Yorker's Page Turner about Opal Whiteley, whose childhood diary--written when she was six on scraps of paper--was published over 100 years ago to meet with acclaim, then controversy, and then obscurity. If girl prodigies interest you as much as they do me, you'll also love this 2010 piece from Lapham's Quarterly, on Barbara Newhall Follett.
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Cult Classic
Frank Stanford isn’t the most well-known American poet, but he is one of the most revered, at least according to his contemporaries. At The Rumpus, David Biespeil writes about a new collection of the poet’s work, remarking that “no American poet I have ever met regardless of disposition or poetics has disliked Frank Stanford’s poems.”
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I Buy, Therefore I Write
"It makes you think you are just about to write, for once, something brilliant." Everyone knows that Moleskines don't really affect your writing, but they nevertheless represent a kind of literary standard. As we step into the future and doodling goes digital, will products like electronic writing tablets put the leather-bound versions out of business? Somewhere Hemingway is turning in his grave.
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JFK on the Decline of Physical Fitness
Recommended Reading: John F. Kennedy's 1960 essay, "The Soft American," in which the president warns us about "an increasingly large number of young Americans who are neglecting their bodies."
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In Defense of Criticism
Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead's Zone One with this controversial line: "A literary novelist writing a genre novel is like an intellectual dating a porn star". Understandably, this led to some uproar. Now he's doubling down on his stance.
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