A couple more highly anticipated fall books now have cover art. J.K. Rowling’s post-Harry Potter effort The Casual Vacancy features a simple, bold design. And the cover of Ian McEwan’s Sweet Tooth is a throwback to the design motifs of several decades ago.
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
It’s impossible to deny that memoir writing is having a bit of a moment, as more and more major books delve deeply into authors’ lives for material (here’s looking at you, Knausgaard). But what happens when memoir meets straight history? According to The Canadian Press, both genres only become more interesting. “[People] think non-fiction is just boring, fuddy-duddy history books, [but] if you look at Canadian literature right now, non-fiction is incredibly exciting.”