Full Stop editor Anna-Claire Stinebring argues that Roy Lichtenstein’s art has “come full circle” thanks, at least in part, to the popularity of Mad Men and 1960s nostalgia. Matt Weiner’s drama, after all, “explores but also glamorizes the world that produced the material for Lichtenstein’s most famous paintings.”
Caleb Crain, author of American Sympathy: Men, Friendship, and Literature in the New Nation discusses the mixed feelings that a writer is subject to when it’s time to let go of a book.
Noam Chomsky, in conversation at the University of Arizona, derides the rising cost of university tuition. He goes on to say student fees are “a general form of indoctrination and control, which goes down to kindergarten. I mean, that’s what No Child Left Behind is about. It’s training for the Marine Corps.”
Independent publisher Melville House worked straight through December to publish the Senate Intelligence Committee Report on Torture in time for the New Year. Now co-founder Dennis Johnson talks with Vulture about why his press decided to publish the book at all, and about the varied moral and practical concerns at stake when working on such a project.
Sad that Breaking Bad is over? Bryan Cranston might have a new TV show on the way, and it was inspired by The Dangerous Book for Boys, he said in an interview for The New York Times “By the Book” series. While you wait, check out our article on what to read after you’ve finished watching Walter White’s saga.