A big week for books: Zadie Smith’s NW is out (read the first lines), as is Christopher Hitchens’s Mortality, a collection of essays penned while he fought cancer (our essay on Hitchens’ death) (his collection Arguably is out in paperback today). More new books: Emma Straub’s Laura Lamont’s Life in Pictures, Umberto Eco’s essay collection Inventing the Enemy, Davy Rothbart’s essay collection My Heart Is an Idiot, Frederick Seidel’s poetry collection Nice Weather, documentarian Errol Morris’s A Wilderness of Error: The Trials of Jeffrey MacDonald, and the Navy Seal book about the bin Laden mission. Also, The Marriage Plot by Jeffrey Eugenides is now out in paperback (read Eugenides on the book’s genesis), as is Stephen Greenblatt’s Pulitzer winner The Swerve.
Are you still not following Pentametron, even after I urged you to do so last week? (And even after New York Magazine added it to its Approval Matrix?) Well, if that’s the case, I shouldn’t even share Earwickr with you. You don’t deserve to read Finnegans Wake spelled out on your Twitter timeline, 140 characters at a time. (Bonus: Michael Chabon reviews James Joyce’s final work for The New York Review of Books.)
If Moby Lives is right, the literary beef that erupted when Oprah selected Jonathan Franzen’s The Corrections for her book club and he rejected the (in his mind, dubious) honor is about to get a curious denouement. Speculation is that Freedom is poised to become another Oprah selection. And your author suspects that Franzen will be more welcoming this time around. (Oprah sticker haters should probably buy their copies of Freedom now, just to be safe.) Update: The AP confirms and so it begins again.
“What’s emerging from these studies isn’t just a theory of language or of metaphor. It’s a nascent theory of consciousness.” Michael Chorost writes about the importance of metaphors in literature and the brain.