Millions contributor Jacob Mikanowski takes a gander at Geoff Dyer’s Zona, and he invoked both Wittgenstein and Bolaño by the third paragraph of his write-up, so you know things are about to get heady.
“Geoff Dyer saw Stalker thirty years ago and hasn’t stopped returning to it.”
Bring On The Rejection
Steel your nerve, readers! Kim Liao at The Literary Hub thinks that everyone should shoot for at least 100 rejections per year. At least some of the satisfaction, she argues, lies in knowing that “in the towering waves of slush, be it high tide or low tide, my own modest submission is out there, like a tiny sailboat, bobbing afloat.”
The Real-Life Inspiration behind Hugo’s Quasimodo
The Telegraph reports that a new discovery appears to reveal that Quasimodo, the seemingly mythical hero of Victor Hugo’s The Hunchback of Notre Dame, may have been based on a real-life figure.
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I would like to read one from Maury Povich, no lie.
A report from Book Expo America: “Celebrity memoirs will survive Armageddon.”
The Story Prize 2011 Shortlist
The Story Prize has announced its nominees for the 2011 prize, We Others by Steven Millhauser, Binocular Vision by Edith Pearlman, The Angel Esmeralda by Don DeLillo. Our review of the latter was published today.
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Food for Thought
At The New Inquiry, Christine Baumgarthuber writes about the elitist history of food writing before the age of the Internet. Pair with Darryl Campbell’s Millions essay on how food writing manifests social norms.
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Mark Baumer Killed on Cross-Country Protest Walk
This week poet Mark Baumer was struck and killed by an SUV while walking barefoot across the country. Baumer, 33, began his cross-country walk to raise awareness about climate change, and was documenting the journey on his blog (as well as Instagram and YouTube). Florida, where he was killed, was recently ranked “the most dangerous place for pedestrians” in the United States.
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We Have the Technology
At The Awl, James S. Murphy goes in-depth on the Stony Brook study, which I wrote about last week, that identified characteristics of historically successful books. In making a point about the publishing industry, he references the sale of our own Garth Risk Hallberg’s debut novel.
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