BLDGBLOG, which has “always been interested in learning how novelists see the city,” interviewed China Miéville about “the conceptual origins of the divided city featured in his… award-winning novel The City & The City,” among other things. Architects, fans of urban decay, and general lit nerds are going to have a field day with this link, I promise you.
Jonathan Franzen’s Kraus Project should be “a match made in heaven,” writes Jacob Mikanowski, because of how it pairs together “the old hater [Karl Kraus] and the new [Franzen], the Butch Cassidy and Sundance Kid of cultural criticism drawn together across the gulf of a century to take on all comers.” Alas, the end result is instead a “strange and rather discordant experience, like receiving a deep tissue massage while being spat on from a great height.” (Bonus: One of the best London Review of Books openers of all time.)
Lolita has been, for decades, a great inspiration to cover designers, and all those great covers inspired architect John Bertram to hold his own cover design contest to see who could best re-imagine Nabokov’s classic. The resulting competition has now inspired a book, coming in August, with a cover by designers Sulki & Min that references a letter Nabokov sent to his American publisher, Walter J. Minton of Putnam, in April 1959 about the cover design for Lolita. “I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls. If we cannot find that kind of artistic and virile painting, let us settle for an immaculate white jacket (rough texture paper instead of the usual glossy kind), with LOLITA in bold black lettering.” More: An interview with Bertram.