BLDGBLOG, which has “always been interested in learning how novelists see the city,” interviewed China Miéville about “the conceptual origins of the divided city featured in his… award-winning novel The City & The City,” among other things. Architects, fans of urban decay, and general lit nerds are going to have a field day with this link, I promise you.
“You know, it’s dangerous to focus on one person as a way of talking about a big system. But I think Kissinger reveals the system. He’s not singularly responsible for the system—if we expunge Kissinger from history, we still wouldn’t have a Virtuous Republic—but he illuminates it like nobody else.” Greg Grandin discusses his recent release, Kissinger’s Shadow: The Long Reach of America’s Most Controversial Statesman, at The New Republic.
We hear a lot about the books writers read while drafting their own novels and stories. But we don’t hear as much about the music, TV shows and other forms of art that kept them going throughout the process. At Page-Turner, Amy Bloom catalogues the influences on her latest novel.
As has been much noted elsewhere, the Wall Street Journal landed reclusive Calvin and Hobbes creator Bill Watterson to review a recent bio of Peanuts creator Charles Schulz. New York explains how the review was arranged. Meanwhile, the New Yorker has John Updike reviewing the book.BLDGBLOG articulates why I love LA so much (and why it is quite possibly the greatest city in the country). For some of my own thoughts on LA, harken back into the deepest archives.Since almost the minute I finished An Army at Dawn, the first installment of Rick Atkinson’s three-part look at the liberation of Europe during World War II, I have been pining for the second book. And now I have it. The Day of Battle covers the war in Sicily and Italy and I will be reading it presently. (It was An Army at Dawn that inspired our lists of World War II fiction and nonfiction.)My alma mater is showing Google Books some love.
A few days ago, Amazon announced the launch of their new “@Author” feature for the Kindle, whereby readers can click on an e-book passage and ask the author questions about it directly. I’ve broken out in a cold poststructuralist sweat about this over on The New Yorker’s Book Bench blog.
This year, the good folks at Slate and the Whiting Foundation kicked off a new literary prize, intended to reward authors for great second novels. To wrap up the year, they’ve asked several winners of the prize, including Akhil Sharma, Helen DeWitt and Daniel Alarcon, to write short pieces about objects that symbolize the writing process for their books. (Akhil Sharma chooses a stopwatch, while Eileen Myles chooses a can of Cafe Bustelo.)