BLDGBLOG, which has “always been interested in learning how novelists see the city,” interviewed China Miéville about “the conceptual origins of the divided city featured in his… award-winning novel The City & The City,” among other things. Architects, fans of urban decay, and general lit nerds are going to have a field day with this link, I promise you.
China Miéville Interviewed by BLDGBLOG
Tuesday Means New Releases
Two hotly anticipate works by literary masters hit shelves this week. Both were “most anticipated books.” We have The Year of the Flood by Margaret Atwood and Nocturnes by Kazuo Ishiguro. The latter was written about persuasively by Lydia in recent weeks.
Not These Titles, Please
Looking for the perfect title for your short story / essay / novel / whatever? We wish you the best of luck, and also suggest you don’t pick one of these severely overused options.
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An Examination of the Trauma Plot
The ways we write about trauma have evolved. "In a world infatuated with victimhood," Parul Sehgal writes for The New Yorker, "has trauma emerged as a passport to status—our red badge of courage?"
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But Who Hates On The Haters?
Jonathan Franzen’s Kraus Project should be “a match made in heaven,” writes Jacob Mikanowski, because of how it pairs together “the old hater [Karl Kraus] and the new [Franzen], the Butch Cassidy and Sundance Kid of cultural criticism drawn together across the gulf of a century to take on all comers.” Alas, the end result is instead a “strange and rather discordant experience, like receiving a deep tissue massage while being spat on from a great height.” (Bonus: One of the best London Review of Books openers of all time.)
Lolita, Cover Girl
Lolita has been, for decades, a great inspiration to cover designers, and all those great covers inspired architect John Bertram to hold his own cover design contest to see who could best re-imagine Nabokov’s classic. The resulting competition has now inspired a book, coming in August, with a cover by designers Sulki & Min that references a letter Nabokov sent to his American publisher, Walter J. Minton of Putnam, in April 1959 about the cover design for Lolita. “I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls. If we cannot find that kind of artistic and virile painting, let us settle for an immaculate white jacket (rough texture paper instead of the usual glossy kind), with LOLITA in bold black lettering.” More: An interview with Bertram.
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