Junot Díaz’s forthcoming collection This is How You Lose Her now has cover art. It appears to be video game inspired.
We give up a book for many reasons: it was too long, the writing was dull, it was written by E.L. James. Goodreads has charted just when and why we abandon books. Catch-22 is the number one abandoned book. (Confession: I didn’t finish it either.) Also, see our article on the pressures of finishing novels in the age of literary social media.
Over at The Washington Post, Jeff Guo makes a case against periods. As he puts it, “When we get excited, the pauses between our sentences shrink. We speak in run-ons. […] A period feels too weighty.” Also check out this Millions piece on the benefits of excising quotation marks.
The second round of the Tournament of Literary Sex Writing, the aptly-named Erotic Eight, has kicked off over at The Literary Hub. This round is home to some downright ridiculous pairings (I’m looking at you, “Bram Stoker vs. James Baldwin as judged by Roxane Gay“) and the judges are as careful and attentive as ever.
“A few weeks ago, I texted my writing group, ‘All I really want is to be just famous enough to have my own celebrity book club.’ I was kind of kidding. But I kind of wasn’t. Because, like portion-packaged organic snacks delivered to your door, isn’t book club ownership one step closer to having it all?” Laura Briskman on the faux intimacy of celebrity book clubs, as more and more celebrities start their own post Oprah.
“The worst days I’ve ever known could be my future under the American Health Care Act.” For Catapult, Liz Lazzara writes about her history with mental illness and what might happen if the new healthcare legislation passes the Senate. Pair with Gila Lyons in our pages about madness, medication, and the creative instinct.
Paul Muldoon raised this season’s commencement bar with his address to Bennington College’s Writing Seminar graduates. At The Russian Samovar a few months ago, before reading from Maggot, he explained the phrase “cock a snook.”
Landlord, patron, gardener, traveler— Elizabeth Gilbert is so much more than a memoirist. Steve Almond profiles Gilbert for The New York Times and finds out about her return to fiction with her new novel, The Signature of All Things. Yet Gilbert doesn’t disparage her Eat, Pray, Love fame and readers, even if others do. “I want to say: ‘Go [expletive] yourself! You have no idea who the women are who read my books, and if I have to choose between them and you, I’m choosing them.’”