Junot Díaz’s forthcoming collection This is How You Lose Her now has cover art. It appears to be video game inspired.
“Why can’t we keep our literary heroes where they belong, at the top of the bookshelf next to all the others? And why must we ache for their approval, their admiration, their love?” Alex Gilvarry posts about writers who dare to approach their literary heroes for the Paris Review Daily.
“I fought the urge to throw up in my hands as I asked myself, ‘How the fuck did I get here?’” When you’re a jewel mule, as Kayli Stollak describes in this piece for The Establishment (via Narratively), going through customs can be a little stressful. For more lurid tales of crime and aristocratic extravagance, see our own Matt Seidel‘s review of Making Monte Carlo: A History of Speculation and Spectacle.
Look, we get it. You’re as sad as the rest of us that Frank Ocean’s new album didn’t actually drop on Friday. Luckily, there’s a fantastic essay over at The Atlantic which examines Ocean in the context of Harper Lee and the myth of the reclusive artist: “Channel Orange, like Mockingbird, is an unapologetic masterpiece for people defining themselves at the intersection of lived experience and possibility.”