David Kurnick explores what makes Elena Ferrante’s Neapolitan novels so addictive. As he puts it, “In Ferrante we see what grand novelistic ambition looks like devoid of writerly vanity.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
“’When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,’ Mr. George said. ‘It may simply come down to wisdom. Like the greats, Edith has it.'” Steve Almond gives an overview of Edith Pearlman‘s writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
The release date for Thomas Pynchon’s new novel is three weeks away, and to mark the occasion, Boris Kachka runs through a quick biography of the perpetually mysterious author. Among other things, Kachka points out that Pynchon resides in a fairly odd neighborhood for a recluse to choose to live in — the Upper West Side. (Previously: “Thomas Pynchon to Publish New Novel” and “New Thomas Pynchon Teaser.”)