When you think of Shakespeare’s plays, you probably think of the Globe Theatre. Yet for more than twenty years before the Globe was opened, the Curtain Theatre was the first home to such plays as Romeo and Juliet and Henry V. Unfortunately the place was closed and disassembled in the 17th century, and the location was presumed lost. Fast forward 400 years, however, and a team of East London excavators have finally uncovered a few of its sections.
Next week, the folks at Literary Death Match are bringing literature into the third dimension by staging “LDM TV: The Pilot.” Two shows consisting of four readers apiece will take place in Los Angeles, and performances will be judged by a killer lineup including such notables as Susan Orlean, Michael C. Hall, Moby and Tig Notaro. Full event details can be found here. For what it’s worth, I still rank Matt Gajewski’s LDM performance as my all-time favorite, so Beau Sia, Simon Rich, Daniel Alarcón and company have their work cut out for them.
Chances are you’ve heard that the most important thing a writer needs to make it in the modern lit world is luck. Undoubtedly, there’s a lot of truth to that, but what if there’s another factor that has a bigger impact on a writer’s success? Sean McElwee argues for the importance of something more prosaic.
The Oscar Blog: Ed has recruited Scott, YPTR, Elizabeth Crane, Jeff, Gwenda, Mark and several others to “live blog” the Oscars on Sunday. I’m convinced that no good can come of this… but you can bet I’ll be reading along.I’ll read what ever Malcolm Gladwell writes, but his 2-part conversation with ESPN.com columnist Bill Simmons on sports (and many other topics) is particularly entertaining.I’m a huge fan of the Comics Curmudgeon blog, which hilariously skewers the newspaper funnies. Now Josh has hit the big time. He’ll be skewering political cartoons for Wonkette.The winners of the 2005 Book Critics Cirle Award will be announced tonight. Here are the finalists.Brokeback Mountain (video link) in Bun-O-Vision.
We can’t stop gobbling up Elena Ferrante’s Neapolitan novels, but we also won’t stop asking who Elena Ferrante really is. Why do we need to know the author’s true identity, asks Electric Literature? (Our own Michael Schaub revealed that he was Elena Ferrante earlier this year.)
At BOMB Magazine’s website, an interview with A.M. Homes, conducted by (who else) a friend who accompanies her to synagogue. Among other things, the two discuss Yom Kippur, adoption, and May We Be Forgiven, the author’s latest novel (which we reviewed).