Many writing guides feature long explainers that detial how to craft a great plot. They’ve turned the phrase “rising action” into a buzzword in many classes. At Page-Turner, a short comic illustrating major plots that don’t work, including one in which the protagonist “ignores the problem until it goes away.”
Getting a director for Stephen King's The Stand was almost as difficult as surviving the virus. The latest director to try is Josh Boone, who is no stranger to adaptations because he's bringing The Fault in Our Stars to screen. To brush up on your King, read our essay on learning about America through his novels.
"0.5 hrs: Read this week’s New Yorker fiction. 0.7 hrs: Hated on New Yorker writer with her derivative characters & mise-en-scenes. 0.1 hrs: Looked up 'mise-en-scene' on Wikipedia. 1.3 hrs: Phone call with writer friend; discussed how much New Yorker fiction sucks. 0.5 hrs: Drafted & emailed query letter to New Yorker (for super postmodern story)." The good people at McSweeney's imagine an impossibly tedious world where writers and poets bill by the hour.
At the Poetry Foundation’s website, Ruth Graham tackles a strangely ubiquitous question: how does a couple go about choosing a wedding poem? (For context, it helps to keep the following quote in mind: “the aesthetics of [a personal] wedding, at least for couples of a certain age and posture, are practically set in stone: indie pop music, mason jars, white Christmas lights, wildflowers.”)