There’s been an incredible amount of both excitement and controversy ever since Harper Lee‘s publisher announced the upcoming publication of Go Set a Watchman, the reclusive author’s second novel. But in a piece for Ploughshares Cathe Shubert wonders “Why not marvel at what all this hullabaloo in the news really signifies: that books still matter, deeply, to the American public–especially books that spark dialogue about interracial relations, justice, and, as Atticus would say, walking in another person’s shoes.”
In general, fact-checking isn’t the most glamorous part of a journalist’s career, which is why Michael Erard was surprised to find that a recent fact-checking session for an Al Jazeera article turned out to be among the most interesting conversations of his life. Why? His sources were linguists, and their job was to explain to him the workings of brand-new sign languages.
“What those who care about books must appreciate is that the boundaries between canonical and noncanonical have never been ironclad in African-American literature.” Clark C. Cooke writes for the LA Review of Books on black crime fiction and the rise of a “new African-American literary scene.”
“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”