New this week are Mark Haddon’s The Red House, Jess Walter’s Beautiful Ruins, John Lanchester’s Capital, and a collection of essays from Colm Tóibín, New Ways to Kill Your Mother: Writers and Their Families. Michael Ondaatje’s The Cat’s Table is now out in paperback.
Writers of facial stage direction, beware: it is not actually the epitome of irony that smiling and crying can seem so oddly similar. At Aeon, Princeton professor Michael Graziono argues that the seemingly opposite gestures may just share evolutionary origins. (Pair with: Darwinist theories about “the evolution of the novel.”)
Robert Birnbaum and Tobias Wolff talk short stories and other topics at The Morning News. Wolff: “Somebody once described the novel as a prose narrative of a certain length that has something wrong with it. I can think of a few novels that seem to have nothing wrong with them at all, but I can think of a lot more short stories that seem to me to be perfect.”
In the latest issue of The New York Review of Books, Jean Strouse brings us inside John Singer Sargent’s inner circle. The exhibition, “Sargent: Portraits of Artists and Friends,” is on view at the New York Metropolitan Museum of Art until October 4th. You could also read Edra Ziesk’s piece on what makes a friend.