Dave Eggers’ latest, A Hologram for the King, is out today. Also out this week is an under-the-radar, new effort from Richard Russo, Interventions, a collection that’s a collaboration with his artist daughter Kate Russo. Sheila Heti’s How Should a Person Be? is out (Don’t miss our illuminating interview). And Michael Frayn has a new novel, Skios. More new fiction: Don Winslow’s The Kings of Cool (a prequel to Savages), Joshua Henkin’s The World Without You, and Carol Rifka Brunt’s Tell the Wolves I’m Home. In non-fiction, There’s David Maraniss’ Barack Obama: The Story.
Tuesday New Release Day: Eggers, Russo, Heti, Frayn, Winslow, Henkin, Brunt, Maraniss
Hell is Other People
The Morning News posts a terrific (if slightly ingenuous?) take on the vacuity of the poet’s life in NYC: Frank O’Hara it ain’t. Whether this is a failure of the city, or merely of the poet, is an open question. (via The Book Bench).
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Out of the Rain
The word “nostalgia” comes from the Greek root nostos, meaning “return home,” and algos, or “pain.” It’s painful because we cannot return home again. Ramp up the nostalgia and check out this elegy to the old school book tour by Keith Lee Morris. If we’re talking book tours, here’s a piece on the distinct personality types sure to derail your literary event.
Unforgivable Sins
We’ve covered The New York Times Bookends column before. This week, Benjamin Moser and Year in Reading alumna Rivka Galchen discuss unforgivable sins in literature.
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The Perils of “Showrooming”
Emma Straub, whose Year in Reading piece ran this week, has written a great article on the perils of “showrooming.”
“An index also lays out the complexity of the book into pristine statements”
In a neat little essay for Vouched Books, Kyle Winkler advocates indexing as a means of tempering the “fuckstorm of reading.”
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James Tate in Hypertext
This week in book-related infographics: a hypertext tribute to the late poet James Tate, organized by Electric Literature and featuring “personal memories of Tate, commentary about his work, and recordings of some of his most meaningful poems.”
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Madame Bovary, Say Wha?
Ruth Franklin rises to the defense of much-maligned (and newly retranslated) Emma Bovary.