Well, it turns out that Dutch bookselling site was right after all. In three weeks, Dave Eggers will release his latest novel, A Hologram For the King. The author gives some more information in an interview with The Rumpus‘ Stephen Elliott, but it seems pretty crazy how this isn’t being talked about more.
The Guardian has a beautiful multimedia feature in celebration of John le Carré‘s new memoir, The Pigeon Tunnel, including an exclusive excerpt, original notes from the author’s archives, and readings of his novels by Rachel Weisz, Tom Hiddleston, Damien Lewis et al. Read also: our own Emily St. John Mandel on using le Carré for literary cover.
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
What is deracination, and why is it key to understanding American fiction? In her novel Housekeeping, Pulitzer laureate Marilynne Robinson defines it as “the free appreciation of whatever comes under one’s eye,” inspired by the Western sentiment of “feeling no tie of particularity to any single past or history.” In the Boston Review, Jess Row states that deracination is “a long-lived and nearly universal trope in white American literature,” claiming it represents “an American ideal: not to strip from the roots, but to de-race oneself.”
Apropos of our recent essay by a student hiding out in a bookstore with spotty Wi-Fi to avoid reading online, The Rumpus interviewed a bookstore and coffeeshop owner who has taken the bold step of making his establishment a WiFi-free zone. “I’ve observed and been told many times about how the availability of Wi-Fi creates a space where people are wrapped up in their own, solitary world and not interacting with each other.”
“A name serves as a gateway to knowing someone, and usually the person with the aberrant name must create the opportunities. One way is to change her name.” S. Isabel Choi writes on why she chose to go by Isabel in high school. Pair with a piece on growing up with a Paraguayan name in the U.S.