Courtney Traub talks with Kevin Begos, Jr, publisher of Agrippa, a Book of the Dead, a 1992 book that contains an encrypted poem by William Gibson set to self-erase after a single reading. Begos explains his intentions when creating the book, and Traub recounts the difficulties Oxford recently had when deciding how to archive a work that deliberately resists preservation. Gibson’s newest book, Distrust That Particular Flavor, made our list of the most anticipated releases of 2012. Also don’t forget to read our review of Gibson’s 2010 novel, Zero History.
Kudos to Claire Vaye Watkins for taking home the Dylan Thomas Prize! Worth £30,000, the prize went to Watkins because, in the words of of the chair of the judging panel, she possesses “some of Dylan Thomas’s extraordinary skill in the short story form.” (Read more about Watkins’s work in Geoff Mak’s review of her 2012 book Battleborn.)
Last April, our own Bill Morris bemoaned the current state of America’s higher education system. At the same time, Malcolm Harris derided the unreasonable cost of that same system. Now Benjamin Ginsberg, author of The Fall of the Faculty, places blame for both criticisms on the shoulders of universities’ expanding administrative staff.
“But upon learning that the unmarried 60-something Ms. Welty was a fan, the 50-something Macdonald — Ken Millar, to use his real name, as he does in these letters — dashed off a note of thanks. A reply followed within a week.” On a new book of letters between Eudora Welty and Ross MacDonald. You could also read Jonathan Clarke on the letters of Willa Cather.
You may have heard that Joshua Cohen has a new book out this week. The Harper’s columnist’s fourth novel tells the story of a ghostwriter producing a tech wizard’s memoirs. In BOMB Magazine, Dan Duray sits down with Cohen, who talks about the book, the Bay Area and the cultural production of autism. Related: Johannes Lichtman on Cohen’s Four New Messages.