Junot Díaz, author of The Brief Wondrous Life of Oscar Wao, sits down with Paula M.L. Moya for a great interview focusing on race at The Boston Review.
“Is it possible to overcome the horrible legacy of slavery and find decolonial love?”
I Feel Expository
If we are, as Adam Kirsch writes, in the midst of a golden age of essays, we might want to ask exactly which essays are proof of this golden age. His first three picks — My Heart is an Idiot, I Was Told There’d Be Cake and Pulphead — are unsurprising choices, but then it gets a bit more interesting when he looks at Sheila Heti’s latest novel. (You could also check out a few of our pieces on these books.)
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Populist Poetics
“What happens when everyone’s a poet?” asked Marjorie Perloff in the Boston Review. Now, Mike Chasar and Jed Rasula debate what that popularity might actually mean for contemporary poetry.
Margaret Atwood Talks Twitter
“Time goes all stretchy in the Twittersphere, just as it does in those folk songs in which the hero spends a night with the queen of the faeries and then returns to find that 100 years have passed and all his friends are dead…” Margaret Atwood talks Twitter with Robert McCrum.
O Detroit
You may have heard that our own Bill Morris has a new book on shelves. He talked about it with fellow Millions staff writer and California author Edan Lepucki. At the LARB, Diana Clarke reviews the book, which she calls “a sharp critique of the contemporary American post-racial narrative,” among other things.
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With a Twist
In the New York Times, a review of 2013 Year in Reading alum Olivia Laing’s new book, which delves into the alcoholism of Hemingway, Fitzgerald and six other famous writers. Among the biographical tidbits in the book: Tennessee Williams had a brandy Alexander every day when he lived in New Orleans.
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Branching Out
I’ve written before about Wolf in White Van, the new novel by Mountain Goats frontman John Darnielle. But there’s another book out by a prominent artist in a field other than writing: Consumed by David Cronenberg, the director of A History of Violence. Sam Costello reviews the new book over at Full-Stop.
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