Maxim’s long, comprehensive oral history of The Wire shouldn’t be missed. In fact, it should be supplemented with Idris Elba’s short profile in New York Magazine.
Hangovers and Strip Clubs: The Wire
Translating the Untranslatable
Five years ago, Jacques Lezra was asked to translate a book of untranslateable words. “The project provided me, and my co-editors,” he writes, “with a vivid sense of the history of how people think, and how societies think differently from one another.” This week, the fruits of their labor were published by Princeton University Press, and to celebrate the occasion, the publisher has released six PDFs of sample entries: begriff, kitsch, media, polis, right, and saudade.
Art Within Art Within Art Within
The Public Domain Review and Berfrois heard you’re a big fan of paintings so they rounded up paintings with other paintings inside of them.
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The Historian, His Wife, Her Venom, His Rivals
At The Guardian, the intriguing case of historian Orlando Figes and his wife’s savage Amazon reviews of her husband’s rivals’ books. The case begs the question: should Amazon allow anonymous reviews?
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Steady As She Goes
“I prefer … to believe, in the weird and sometimes happy accidents that result—in this case—in kissing a beautiful stranger in the rain. It didn’t really change anything, but it wasn’t trivial. It was one of those encounters that rises up out of nowhere and sinks back into it, giving off light and energy as it goes.” Kim Addonizio’s new addition to Guernica’s “The Kiss” series is fantastic and life-affirming.
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“The danger that is Lagos”
“Even after I realize that we are being robbed, that bullets can shatter glass, that being locked in is no help in this situation, I still feel a vague resentment at having to hand the laptop over. It’s mine. It contains my work, a week of writing, a month or more of photography, personal information. I have hesitated only a few seconds but feel as though I have just woken from a trance: briefly, I imagined myself with a bullet in my thigh, imagined myself bleeding out in traffic in Ojota.” At Granta, Teju Cole writes about living in Lagos.
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Get out of the restaurant
Though excellent fiction has been staged in restaurants (Richard Russo’s Empire Falls comes to mind, as well as YA novel Hope was Here), I have to admit Rebecca Makkai at Ploughshares has a point that dining-in-public scenes are getting a bit old. “All the unfolding of napkins and poking at the French fries… it’s filler.”