This past Sunday the American Library Association gave out the first Carnegie Medals for Excellence in Fiction and Nonfiction to Robert K. Massie’s Catherine the Great: Portrait of a Woman and Anne Enright’s The Forgotten Waltz. Also be sure to check out our interview with Enright.
“The parties are pleased that they have amicably resolved this matter and look forward to working together in the future.” The estate of J.R.R. Tolkien and Warner Bros. have settled an $80 million lawsuit over the digital merchandising of products from The Lord of the Rings series, reports The New York Times. Of particular offense to Tolkein’s estate: “Lord of the Rings: The Fellowship of the Ring: Online Slot Game.” Before any of that, though, there was The Story of Kullervo.
David Orr investigates the day jobs of some modern poets, and notes “the university job is a relatively recent development in Anglo-American poetry.” Indeed, as this playful illustration from Incidental Comics makes clear, poets have engaged in a wide array of salaried jobs – from pediatricians to bank clerks to diplomats. Previously, we took a look at writers and their day jobs, too.
“Nigeria did fracture once, however, and it is this story that Chinua Achebe, a giant of African letters, tells. His memoir of the moment describes when the country, yoked together artificially by British colonizers, split apart at a cost of more than a million lives.” The New York Times Book Review on the writer’s There Was A Country.
“The notebook is where our interior world makes contact with our exterior world; where our instinct for creation is first made material. Our notebooks are our first messy attempts at self-expression, and the ways in which we express ourselves are changing every day.” Sarah Gerard explores the life of the notebook in an essay for Hazlitt. Pair with our own Hannah Gersen‘s look at other methods writers use to keep their ideas straight, from calendars to collages.
In May, poet David Lehman wrote the first line of a sonnet about cubicle anomie and began crowdsourcing the rest. The completed 12-week project at The American Scholar is not merely a pretty great piece on its own, but a lesson in how to write one, line by line: 2, 3, 4, 5, 6, 7, 8/9, 10, 11, 12, 13, 14. You can submit your title suggestion as late as midnight on Sunday, but we suggest getting a start on it now, while the prison of work is still fresh in mind. (h/t The New York Times)