In her Shelf Awareness interview, Hilary Mantel admits that Wolf Hall, her recently released Bring Up the Bodies, and the trilogy’s forthcoming conclusion were originally conceived to be one book. That they kept expanding, she says, is “the torment and joy of writing fiction.” Meanwhile, over at The Daily Beast, the English author rounds up her five favorite historical fictions.
Hilary Mantel’s Torment and Joy
Notes from the Melbourne Writers Festival
“If DBC Pierre wasn’t twelve scotches into a bender before he went on stage, I have lost a substantial wager.” Notes from the Melbourne Writers Festival, at the Electric Literature blog.
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Tuesday New Release Day: Shamsie; Kobek; Bordas; Goldstein; Sexton; Barzini; Yoon
Out this week: Home Fire by Kamila Shamsie; The Future Won’t Be Long by Jarett Kobek; How to Behave in a Crowd by Camille Bordas; The World Broke in Two by Bill Goldstein; A Kind of Freedom by Margaret Wilkerson Sexton; Things That Happened Before the Earthquake by Chiara Barzini; and The Mountain by Paul Yoon. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Knausgaard; Lynch; Means; MacManus; Sittenfeld
Out this week: My Struggle: Book Five by Karl Ove Knausgaard; Before the Wind by Jim Lynch; Hystopia by David Means; Midnight in Berlin by James MacManus; and Eligible by Curtis Sittenfeld. For more on these and other new titles, go read our Great 2016 Book Preview.
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The Secret Life of Books
“They might underline a page number, draw a little star on the last page, or write their first initial somewhere in the book.” A librarian in Scotland discovered a secret code used by elderly patrons to track which books they already read. From our archives: an essay on the importance of libraries and how they can stay relevant.
Holy Order in Remote Places
The last book that Genevieve Hudson for The Rumpus loved was James Salter’s classic of mountaineering, Solo Faces. Here’s an essay from The Millions on why Salter was one of the best at writing sex.
Making Mistakes
“These were my two first mistakes about honesty: I thought it meant relentless self-flagellation, and I thought it could redeem everything.” Leslie Jamison and Anna Holmes discuss the mistakes they made as young writers.
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