Two full-length trailers for much-anticipated films dropped this week. First up is Pixar’s Brave, which will hit theaters this June. Meanwhile, on the other end of the spectrum, fans get to see Robert Pattinson star as Eric Parker in David Cronenberg’s adaptation of Don DeLillo’s Cosmopolis.
Over at VICE, Karan Mahajan, Tanwi Nandini Islam, and Jenny Zhang talked about the new generation of Asian American writers. “There isn’t really a canon, which means if you are Asian American and writing, you’re automatically adding to it. Once I realized this, I became extremely protective of my writing,” said Zhang. Pair with this Millions interview with Mahajan.
“You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people.” In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone‘s look at, well, the conversations of BOMB interviews.
Expats of all stripes have trouble defining the word “home,” which is true even when the expat is someone like James Wood, who left England for America in the ‘90s and set up a life for himself in Massachusetts. In the LRB, he describes the odd pain of emigration, lamenting that his “English reality” has faded into memory. (You could also read Charles Finch on trying to live up to Wood’s standards.)
Recommended Reading: Oliver Burkeman on a new group of optimistic thinkers.