New this week are The New Republic by Lionel Shriver, The Sugar Frosted Nutsack by Mark Leyner, Suddenly, a Knock at the Door by Etgar Keret, W.G. Sebald’s Across the Land and the Water: Selected Poems, 1964-2001, and The Complete Poems of Philip Larkin.
Tuesday New Release Day: Shriver, Leyner, Keret, Sebald, Larkin
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Plotting Genres
This week in book-related infographics: "A Plotting of Fiction Genres" from Electric Lit.
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Infinite Stupidity
Why innovate when you can just Google and copy? Mark Pagel on the perils of "being domesticated by these great big societal things, such as Facebook and the Internet."
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Tuesday New Release Day: James; Hallman; Moya; Kureishi; Yanagihara; Llosa
New this week: The Tusk That Did the Damage by Tania James; B & Me: A True Story of Literary Arousal by J.C. Hallman; The Dream of My Return by Horacio Castellanos Moya; The Last Word by Hanif Kureishi; A Little Life by Hanya Yanagihara; and The Discreet Hero by Nobel laureate Mario Vargas Llosa. For more on these and other new titles, check out our Great 2015 Book Preview.
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A Frank Poet
"Say surrender. Say alabaster. Switchblade. / Honeysuckle. Goldenrod. Say autumn. / Say autumn despite the green
in your eyes. Beauty despite / daylight. Say you’d kill for it. Unbreakable dawn / mounting in your throat. / My thrashing beneath you / like a sparrow stunned / with falling." Last week, Ocean Vuong published his newest collection, Night Sky With Exit Wounds. This week, it seems to be all anyone can talk about (because it's fantastic). Here's a piece from The New Yorker on Vuong and his designs for the English language.
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Reader’s Nostalgia
"Why do we spend so much time with stories whose endings we already know?" Derek Thompson writes about nostalgia and culture for The Atlantic, and his piece pairs well with Katy Waldman's Slate essay about "thinking that you’re not getting as much from reading as you used to."
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