It’s a bumper crop of new books this week: Hari Kunzru’s Gods Without Men, Kathryn Harrison’s Enchantements, László Krasznahorkai’s Satantango (reviewed here), and Adam Levin’s Hot Pink. Also out this week are Alain de Botton’s Religion for Athiests and Jonathan Safran Foer and Nathan Englander’s New American Haggadah.
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)
Recommended Reading: Jesse Eisenberg’s stream of conscious New Yorker short story, “A Short Story Written With Thought-to-Text Technology.” “When he was younger he used to stay late after school on Fridays and come in early on Mondays, a pattern his mother referred to with equal parts admiration and disdain as ‘studying overtime.’ Jesus, I’ve written another loser.”
Precocious hardly begins to describe the early work of now-famous child fashion blogger Tavi Gevinson. If you’re like me–a clueless/skeptical johnny-come-lately–check out this post, in which Tavi documents and explains the Blanche DuBois outfit she’s worn to school and her take on Tennessee Williams‘ most famous heroine.
Amazon announced that on Christmas day it sold more Kindle ebooks than regular books (and that the Kindle is not the site’s most popular gift ever). Chadwick Matlin outlines at The Big Money the reasons why the Christmas day surge in ebook sales don’t matter. The New York Times suggests each new version of the Kindle may be getting worse, and separately dubs 2010 the “Year of the Tablet.”
From Flavorwire: in 1970 William S. Burroughs teamed up with British cartoonist and painter Malcolm McNeill to “put together what they called a ‘Word/Image novel’ (the term ‘graphic novel’ had not yet been popularized) and shopped it to publishers. After seven years of trying to sell the new genre, Burroughs and McNeill gave up. Next year the work will finally see the light of day.”