Amazon’s 7″ Kindle Fire tablet will sell for $199 — less than half the cost of Apple’s cheapest iPad. The color, touch-screen tablet will run Google’s Android software and have access to Amazon’s app store, streaming movies and TV shows. Additionally, Amazon’s announced the launch of the $99 Kindle Touch, and has reduced the price of the standard Kindle to $79.
Edward Norton has wanted to adapt Jonathan Lethem’s Motherless Brooklyn since it came out, but finding financing was almost as difficult as solving Frank Minna’s murder. Now, Brett Ratner has agreed to fund the film with Norton directing and starring as Lionel Essrog.
Next week, Martin Amis will publish Zone of Interest, a dark new novel that takes place, like his earlier Time’s Arrow, in Nazi-occupied lands during the Holocaust. In this week’s New Yorker, Joyce Carol Oates reviews the book, suggesting that Amis is most compelling when he writes as a “satiric vivisectionist.” You could also read our own Mark O’Connell on Lionel Asbo: State of England.
“In the new environment, science fiction writers needed new formulas – or even better, needed to have the courage to operate without pre-cooked recipes of any sort. In short, science fiction needed to grow up and take on the adult world, in all its messiness and uncertainty.” Ted Gioia pens a paean to sci-fi writers of the 1960s. Among his recommendations (including a reading list of 64 works): Camp Concentration by Thomas M. Disch, whose larger oeuvre is considered here.
New this week: Yannick Murphy’s latest novel The Call is out this week, as is Tom Scocca’s chronicle of expat life, Beijing Welcomes You (Both are written up in our big second-half preview). Also arriving is a new novel from Helen Schulman, This Beautiful Life, and Bed, the debut effort of David Whitehouse, which has already been a (minor) prizewinner in the UK, and which the publisher compares to A Confederacy of Dunces.
Don’t Cry author Mary Gaitskill reviews Gillian Flynn’s wildly successful thriller, Gone Girl, for the pages of Bookforum. What she finds is that the book isn’t really frightening because of its plot per se, but rather because its two main characters “do not resemble actual people so much as grotesquely smiling masks driven by forces of extreme artifice, and it’s exactly that extreme artificial quality that’s frightening to the point of sickening.” For what it’s worth, Edan Lepucki, Michael Bourne, Ed Park, Janet Potter, and Jennifer duBois each named Flynn’s book in their most recent Year in Reading pieces.