Over at Slate, Mike Vuolo speaks with Bob Garfield about “African-American English,” or, as some might say, “Ebonics.” The two of them explore its history, misconceptions, and whether or not it’s possible or even appropriate for a white writer (such as The Help author Kathryn Stockett) to attempt to write in the dialect of certain African-Americans.
"Every man or woman who is sane, every man or woman who has the feeling of being a person in the world, and for whom the world means something, every happy person, is in infinite debt to a woman." What would today be without a bit of Mother's Day-inspired Recommended Reading? Head over to Brain Pickings and learn why psychoanalyst Donald Winnicott believes that mothers are so vital.
Tony Tulathimutte offers advice on lowering word count: Merge scenes, murder characters, quit writing altogether: “merge scenes, murder characters, ‘start as close to the end as possible’ (Kurt Vonnegut), quit writing altogether.” Pair with this Millions piece on writing slowly and by hand.
“Grief doesn’t only disturb life; it disturbs the way we talk about life. As myriad aspects of our existence are questioned and reexamined in the wake of a death, so too is our relationship with the language we rely on for our grief’s expression.” This track-by-track take on Sufjan Stevens’s Carrie & Lowell from The Rumpus is really just a magnificent, emotive piece on elegy.
Need some great book recs for the summer? Want to hear them from the likes of Emma Straub and our own C. Max Magee? Then mark your calendars for June 18th, when Symphony Space and The Millions are hosting a summer edition of Thalia Book Club. (If you’re interested, get your tickets now -- they could easily sell out quickly.)
"I will tell them one of the greatest, perhaps the greatest story of all — the story of good and evil, of strength and weakness, of love and hate, of beauty and ugliness. I shall try to demonstrate to them how these doubles are inseparable — how neither can exist without the other and how out of their groupings creativeness is born." John Steinbeck, American literary titan and author of The Grapes of Wrath, certainly knew a thing or two about creativity.
"Yes, it’s easy to laugh at the lawyers. But what if the lawyers were right? For the question that still needs to be answered, I think, is whether the arguments over the novel’s obscenity and obscurity were just temporary historical effects or whether they point to the essence of Joyce’s originality." A longform look at why we should still find Ulysses scandalous.