Two hotly anticipated collections of stories are out this week: Nathan Englander’s What We Talk About When We Talk About Anne Frank and Dan Chaon’s Stay Awake. Also new this week are Katherine Boo’s Behind the Beautiful Forevers, Ramona Ausubel’s No One is Here Except All of Us, which she wrote about here recently, Dalkey’s new edition of The Recognitions by William Gaddis, and a new volume of William S. Burroughs’ letters.
Tuesday New Release Day: Englander, Chaon, Boo, Ausubel, Gaddis, Burroughs
The Humanity
I’ve written before about the ouroboric development of book reviewers reviewing book reviews. In The Spectator, Sam Leith uses a new book by David Lodge as a reason to ask: where will it all end?
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More Anxiety
Harold Bloom turns eighty-five this year, which makes it all the more impressive that his forty-fifth book, The Daemon Knows, comes out this week. At Vulture, Amy Bloom (no relation) has tea and scones with the Yale professor, who talks about Emily Dickinson, Walt Whitman and why a critic called his new book “an invectorium.” You could also read Matt Hanson on his last volume of criticism.
You’re Too Kind
At Flavorwire, Jason Diamond names his favorite websites for literature lovers, choosing to give the number one spot to… uh… there isn’t really a humble way to say this, so… The Millions. He gives it to The Millions. (Aw shucks.)
Feeling Fraudulent
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”
A Frank Poet
“Say surrender. Say alabaster. Switchblade. / Honeysuckle. Goldenrod. Say autumn. / Say autumn despite the green
in your eyes. Beauty despite / daylight. Say you’d kill for it. Unbreakable dawn / mounting in your throat. / My thrashing beneath you / like a sparrow stunned / with falling.” Last week, Ocean Vuong published his newest collection, Night Sky With Exit Wounds. This week, it seems to be all anyone can talk about (because it’s fantastic). Here’s a piece from The New Yorker on Vuong and his designs for the English language.
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Catching Mr. Harvey
Stephen Moss caught up with AD Harvey, the “independent scholar” who tricked an entire discipline into believing Charles Dickens met Fyodor Dostoevsky. (If you missed Eric Naiman’s initial piece on Harvey’s trail of deception and trickery, you’d do well to acquaint yourself now.)
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Also, Empathy
Recommended Reading: In The Atlantic, Alaa Al Aswany shows how literature can inspire empathy by analyzing one word, “also,” in Dostoyevsky’s The House of the Dead. Al Aswany also has a new book out this week, featured in our latest New Release Day.
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Curiosities: Astronaut Food
Jonathan Evison talks with independent publicist Lauren Cerand about promoting books.Kindle shenanigans: “This morning, hundreds of Amazon Kindle owners awoke to discover that books by a certain famous author had mysteriously disappeared from their e-book readers.”Marking the 40th anniversary of the Moon landing, Kottke puts together a huge post of photos, videos, and links in commemoration.Our recent item rounded up all the “big” books coming out in the latter half of the year. PW alerts readers to “10 promising fiction debuts” coming this fall.Jacket Copy concludes its Pomo Month with an annotated list of “61 essential postmodern reads.”New uses for card catalogs. (via)The second issue of online literary journal The Critical Flame has arrived.Mark Sarvas offers a four-part interview with Joseph O’Neill. “I think I start with one idea. In Netherland, it was cricket in New York. Then there is an accumulation of sentences, and often just single words. Words that interest me. And I sort of build it up like a poem.”Amazon names the “Best Books of the Year… So Far.”