Esi Edugyan’s Half-Blood Blues, shortlisted for the Booker Prize, is now out in the U.S. Also new this week are John D’Agata’s much-discussed Lifespan of a Fact, Sarah Manguso’s The Guardians, Ellen Ullman’s By Blood and The Boiling Season by Christopher Hebert, who has an essay up on our site today. The new memoir by Anthony Shadid has seen its release date pushed up to this week. See our remembrance of Shadid. Finally, it’s Christmas for baseball fans: the 2012 Baseball Prospectus is out.
Remember that story you were going to write about your neighbor’s dog but never did? When you’re a writer, you have to know when to ditch both the bad and good ideas. At The Atlantic, Bob Brody laments all the stories he’ll never write and concludes: “It’s taken me a long time to learn this—that sometimes the best course of action is inaction.”
“I feel very transparent to myself. I’m more like an observer. I’m interested in what’s going on. I’m not sure that I really have a personality,” Joyce Carol Oates said in The New Yorker’s micro documentary about her writing life and routine. Pair with: our essay on Oates’ The Accursed.
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
Over at the Oyster Review Alexandra Edwards takes a literary tour of Florida, guided by “a few writers who chart Florida’s strange vacillation between the modern and the primordial,” including the likes of Elizabeth Bishop, Zora Neale Hurston and Ernest Hemingway. Our own Nick Moran has also profiled the literature of the Sunshine State, though his take was a little more “Floridapocalyptic.”