Esi Edugyan’s Half-Blood Blues, shortlisted for the Booker Prize, is now out in the U.S. Also new this week are John D’Agata’s much-discussed Lifespan of a Fact, Sarah Manguso’s The Guardians, Ellen Ullman’s By Blood and The Boiling Season by Christopher Hebert, who has an essay up on our site today. The new memoir by Anthony Shadid has seen its release date pushed up to this week. See our remembrance of Shadid. Finally, it’s Christmas for baseball fans: the 2012 Baseball Prospectus is out.
Tuesday New Release Day: Edugyan, D’Agata, Manguso, Ullman, Herbert, Shadid, Baseball
Wait, What Was I Writing About?
In a fantastic piece for Full-Stop, Jesse Miller checks out Nicholas Carr (whose book was picked in Jonathan Safran Foer’s Year in Reading), Paul La Farge, David Foster Wallace, and our diminishing ability to concentrate.
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The Swamp of the Non-Reader
Jonathan Gourlay used to read all the time, then one day he stopped. “I knew that I had taken up residence in the swamp of the non-reader. Here is what life is like in that swamp.”
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Braving the Bestsellers
Canonical literature isn’t the only way to learn about America. The bestseller list can be equally as telling. Matthew Kahn is reading 100 years of No. 1 bestsellers from 1913 to 2013. He blogs about the books and discusses the project in an interview with Salon’s Laura Miller. When Miller asks what makes a bestseller, he claims, “A lot of it is just a matter of accessibility. A focus on plot and character rather than structure and the prose itself.”
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Asian American Writers, Generation Next
The Guardian‘s Max Liu highlights several rising star Asian American authors, including Year in Reading 2017 participant Jenny Zhang. “After years on the peripheries of US fiction and poetry, Asian American authors have stepped into the spotlight during 2017. Books by writers of east and south-east Asian heritage are one of the hottest trends this year. […] Transcultural writers, born to immigrant parents in the US or immigrants themselves as children, they are channelling their experiences into writing that, with perfect historical timing, challenges readers to resist attacks on immigrants’ rights and to see refugees as individuals with unique stories.”