Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”
Trey Parker and Matt Stone, the creators of South Park and Team America World Police, are turning their wild imaginations to a new subject and a new genre: "The Book of Mormon," a musical the duo co-wrote with Robert Lopez, will open on Broadway next year.
The deadline for DIAGRAM's essay contest is October 31, but mostly I just wanted an excuse to link to previous winner Cheyenne Nimes' "SECTION 404 OF THE CLEAN WATER ACT AND THE SANTA CRUZ RIVER SAND SHARK, SUBTITLED 'THIS TROUBLESOME REGULATORY CONSTRAINT'."
After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.