Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”
Hatchet Job Prize
Nowhere, Indiana
“Only the moon can judge Indiana. It’s a state that mostly gets ignored, and occasionally ridiculed, by the rest of the country, but no matter. Anyone is welcome to come here and see a reflection of themselves in the unlikeliest places, no matter what any law says.” Adam Fleming Petty on “Writing from the Nowhere State.”
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Place to Place
“Now the lattice that connects us is digitally immediate we travel all the more, but we’ve lost this thrill of adventure. It’s oddly touching to read a novel where journeys are so inherently exciting, and it makes the book both consummately funny and poignantly elegiac.” On the novel Changing Places by David Lodge.
Win Zak Smith’s Gravity’s Rainbow
The Quarterly Conversation is holding a contest for readers. They’ll be giving away a hardcover copy of Zak Smith’s illustrated Gravity’s Rainbow.
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Wake Up Lucid
For your consideration: “A Minor,” (mp3) the first single from the emerging LA band Wake Up Lucid. If you like your contemporary rock rootsy, bluesy, and earnest (The Black Keys, Jet, The White Stripes), you might like Wake Up Lucid.
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Otherworldly
No one knows quite how to categorize Max Blecher’s Adventures in Immediate Unreality, in part because it has elements of a novel, a memoir and a long poem. The early 20th century Romanian writer chronicled his own slow death and the effect it had on his senses. At The Paris Review Daily, Andrei Codrescu writes about a reissue of the book.
Shatoetry
There’s an app called Shatoetry and, yes, it was created by William Shatner. Its purpose? Why, as “a sort of magnetic poetry assembler where every word is read in the offbeat actor’s distinctive tone,” of course.
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