Poets, dog-lovers, urban-dwellers, and really, everyone — check out poet and dog-trainer Susie DeFord‘s heartfelt and keen-eyed new book of poems, Dogs of Brooklyn. Says Vijay Seshadri, DeFord’s collection is full of “wonderful poetic investigations into the life of Brooklyn’s dogs, into their habits, their idiosyncrasies, and their secret longings.”
“For our readers, time is the precious commodity they invest in every book they decide to purchase and read. But time is being ground down into smaller and smaller units, long nights of reflection replaced with fragmentary bursts of free time. It’s just harder to make time for that thousand-page novel than it used to be, and there are more and more thousand-page novels to suffer from that temporal fragmentation.” Tor.com on why novellas are the form of the future.
Practically everyone with a pulse loves Patti Smith. Celebrate Sunday by listening to her speak about Virginia Woolf’s cane, Charles Dickens’s pen, and a few other literary talismans. Here’s a handy Spotify playlist which gathers every song from Smith’s award-winning memoir Just Kids.
“After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of ‘realism.’ It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop (‘this isn’t a story,’ ‘this is poetry,’ ‘what is this’), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life.” Susan Steinberg asks what happened to American experimental writing.
In Ireland, Easter is a holiday with great historical significance, thanks to the eponymous uprising that took place in Dublin in 1916. W.B. Yeats lived a short distance away from the spot where the uprising began. Compelled to write about the event, Yeats produced one of his most famous poems, the genius of which is analyzed here by Brett Beasleyin. You could also read Matt Kavanagh on Irish financial fiction after 2008.