Poets, dog-lovers, urban-dwellers, and really, everyone — check out poet and dog-trainer Susie DeFord‘s heartfelt and keen-eyed new book of poems, Dogs of Brooklyn. Says Vijay Seshadri, DeFord’s collection is full of “wonderful poetic investigations into the life of Brooklyn’s dogs, into their habits, their idiosyncrasies, and their secret longings.”
Edmond Caldwell, a longtime Millions commenter and member of the golden age of lit blogging, has passed away. Caldwell was the founder of The Chagall Position and Contra James Wood. Read a tribute to Caldwell by his friends Boyd Nielson and Joseph G. Ramsey at Dispatches, here.
We recently offered a look at the odd history of the book blurb here at The Millions. Now the New York Times is looking at this peculiar custom, inviting four contributors to discuss their merits and pitfalls. Among them is our own Bill Morris, who revisits his 2011 essay “To Blurb Or Not To Blurb” about the dilemma he faced when asked to blurb a friend’s book.
Sometimes, Virginia Woolf took a break from her busy schedule of constant brilliance in order to write children’s stories for her nephews’ newspaper, The Charleston Bulletin. A taste: “When in a good and merry mood Trisy would seize a dozen eggs, and a bucket of flour, coerce a cow to milk itself, and then mixing the ingredients toss them 20 times high up over the skyline, and catch them as they fell in dozens and dozens and dozens of pancakes.”
For The New Yorker Alex Ross describes the role Nebraska’s prairies played in Willa Cather’s writing, his encounters with Cather people, and how he became one himself. “From this roughshod Europe of the mind, Cather also emerged with a complex understanding of American identity. Her symphonic landscapes are inflected with myriad accents, cultures, personal narratives—all stored away in a prodigious memory. “