Husband and wife writing duo Matthew Seal and Julie Bruton-Seal will launch their new book, Make Your Own Aphrodisiacs, just in time for Valentine’s Day. The couple, who live in Britain, (and who are by no means spring chickens), are encouraging people to look at natural ways of boosting their libido and to remove some of the myths and taboos surrounding aphrodisiacs.
Readers of Millions Originals ebook Epic Fail are deeply familiar with Tommy Wiseau’s heroically bad 2003 film, The Room. So, too, are people masochistic enough to sit through the actual movie. Together, they might be wondering how such a production came to be – and how it came to fail so horribly. Well, finally a new book co-authored by Greg Sestaro and Tom Bissell seeks to answer that question. You can check out an excerpt over here.
Leave the marshmallows at home, and bring your bow and arrow to summer camp instead. In Largo, Florida, the Country Day School created a camp based on The Hunger Games, where campers play intense games of capture the flag. Don’t worry, killing your fellow campers isn’t allowed.
Here are the first lines of the new Gary Shteyngart novel, Super Sad True Love Story, forthcoming in July: “Today I’ve made a major decision: I am never going to die. Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off.”
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.