The latest short by James W. Griffiths, We Were Wanderers On a Prehistoric Earth, is an “ode to the incredible flora and fauna of Malaysia.” The film is accompanied by a passage from Joseph Conrad’s Heart of Darkness, and it’s clear that the author’s description of the Congo applies to Southeast Asia quite easily.
Symmetry’s addictive. Beethoven sought it in the order of chords, Einstein in the logic of theory. Countless writers, too, have sought its imprint in the perfect mot juste. In Aeon Magazine, Philip Ball pleads fervently against the pursuit of beauty in logic, and logic in beauty. “There’s a reason why our galleries are not, on the whole, filled with paintings of perfect spheres… the search for an ideal, perfect Platonic form of the table amid spirals, hypercubes and pyramids has an air of desperation.”
Would you like your man-steak with green peppercorn sauce? At the LRB, Jenny Diski on Catalin Avramescu‘s Intellectual History of Cannibalism.
“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”
Forgive us for being slow on the uptake, Colorado residents, but this is the first I’m hearing of Aspen Public Radio’s First Draft radio show, which features interviews with numerous authors of wide acclaim. A casual glance at the show’s online archives, for instance, turns up the likes of Paul Harding, Kevin Barry, Laura van den Berg, Edwidge Danticat, and Ben Fountain. (h/t Edan Lepucki)
What do you do when McSweeney’s rejects your humor piece? You could, like most people, slink off and write something new, perhaps after a quick look at the site to get a better sense of what they’re looking for, or you could write a new humor piece about getting rejected by McSweeney’s. At The Nervous Breakdown, Rachel Pollan takes the latter route (with a cameo by the movie Swingers).