A Massachusetts mom said police went too far when they paid her and her 5-year-old daughter a visit for failing to return their library books on time.
The King’s Speech is the first film to portray my speech defect realistically, says novelist David Mitchell.
“We started with just the two of us, and now it’s the largest reading community in the world.” Publishers Weekly interviewed Goodreads founders Otis Chandler and Elizabeth Khuri Chandler about the site they founded 10 years ago, which now boasts 65 million members. Check out our own Edan Lepucki on Goodreads’ humble beginnings.
“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
“If you read through all the citations, you’ll start to detect certain patterns. Any aspirant Nobel Prize–winner should take note—these may hold the key to victory.” The Paris Review has read through all of the Nobel Prize-winner citations and came to a couple of conclusions, such as “you should be great… but it also helps if you’re epic. Oh, and fresh!” Pair their piece with our own overview of newest laureate Patrick Modiano’s work, and The New Yorker‘s look into the translation of Nobel Prize-winning authors.
When The Beatles made Rubber Soul, the band probably didn’t realize it would inspire some of the greatest contemporary fiction. First, Haruki Murakami named his novel Norwegian Wood. Now, “Drive My Car” inspired his new short story. Bungeishunju published the story today, but English readers are still waiting on the translation. Until then, we can always listen to the album. Pair with: Our essay on the soundtracks behind books.
“What those who care about books must appreciate is that the boundaries between canonical and noncanonical have never been ironclad in African-American literature.” Clark C. Cooke writes for the LA Review of Books on black crime fiction and the rise of a “new African-American literary scene.”