New this week are The Flame Alphabet by Ben Marcus, a collection of William H. Gass’s writings, Life Sentences: Literary Judgments and Accounts, and Stewart O’Nan’s The Odds: A Love Story. New in paperback is Teju Cole’s Open City.
“The best critics do more than explain why they liked or didn’t like a book; they try to understand books, and show other readers, by example, how to read and think about those books. Specialized expertise can work in service of that goal, but is probably not as important as a willingness to attempt to be a work’s most thoughtful reader.” Elisa Gabbert writes for Electric Literature about who gets to translate and review works and takes Kazuo Ishiguro‘s latest novel, The Buried Giant (which we reviewed here), as a case study.
Earlier this month William Beutler, a D.C. based writer, started a blog about the landmarks in Boston that inspired the landscape of David Foster Wallace’s Infinite Jest. Beutler does a great job chronicling the real-life history of different buildings and explaining how DFW altered them to fit into his novel.
“Writing an autobiography was therapeutic and traumatic at times, but unlike the novel it continues its therapies and trauma long after I’ve written it.” Laura van den Berg interviews Porochista Khakpour about the differences between novels and memoirs, structure, and Khakpour’s upcoming memoir, Sick. (Sick is one of our most anticipated June releases).
Over at The Paris Review, basketball columnist (and really great poet) Rowan Ricardo Phillips has written a compelling essay on Golden State Warriors guard Steph Curry, hot streaks, and the tenability of genius. Jacob Lambert’s essay on reading about (and not watching) sports is a nice complement.