“[A]ny discussion of craft does not take place in a vacuum – that race is part of one’s lived experience and how we see ourselves and are seen does impact how and what we write.” Poet Neil Aiken puts together an absolutely indispensable list of texts – books, essays, lectures and beyond – on the craft of writing by writers of color. See also: our own Edan Lepucki‘s impromptu syllabus of craft readings.
“‘Oh,’ she said, ‘a lot of dogs don’t like black people but they’re fine with everyone else.’ … Was this just a workplace microaggression, or are these dogs actually racist? I found myself grappling with the idea that not only do actual humans hate me for being black; dogs could also hate me for reasons that are out of my control.” Kelly Mays McDonald on how we have weaponized dogs in The Awl.
Charles Dickens turns 200 in February, which is one good explanation for two new biographies (Charles Dickens: A Life) and (Becoming Dickens) appearing just in time. But even more importantly, why is now the perfect time to read him? Here’s one hint: the man’s vast social imagination.
Eve Bowen takes a trip to “Gorey Preserved,” an exhibition of “nearly every edition of every work published by [Edward] Gorey, in addition to illustrations for dust jackets and magazines, etchings, posters, and design ephemera,” on display at Columbia University until August 10th. Those unable to attend need not fret—Bowen walk readers through a history of the prolific illustrator’s work and includes plenty of links to his drawings online.