Laura Ingalls Wilder’s Little House books bring an icy take on America in winter. To Guardian reader Alison Gibbsme, “as a child, they were full of adventure and excitement; as an adult I am shocked at how full of danger they are.”
Ever since Paul Thomas Anderson announced his intention to film Inherent Vice, there’s been a lot of hand-wringing over whether it’s even possible to adapt a Thomas Pynchon book for the screen. Now that it’s out, Geoffrey O’Brien investigates how faithful the movie is to the book, and whether or not that’s a good thing. Related: our own Garth Risk Hallberg’s review of the book when it came out.
"A woman I did not know called me to help her with something I have always loved to do: write. Certainly it was fate, my involvement destined to be a seed for a fairy tale ending, I thought. I was wrong," Scott Saalman writes about the moral challenges of agreeing to help someone with their writing at The Morning News.
New this week: The Circle by Dave Eggers; Dirty Love by Andre Dubus III; How to Read a Novelist by former Granta editor John Freeman; Solo, a new James Bond novel by William Boyd; and “the first in-depth overview of Wes Anderson’s filmography” by the New York Magazine TV critic Matt Zoller-Seitz.
“[I]t’s important that people begin to understand that whiteness is not inevitable, and that white dominance is not inevitable.” Claudia Rankine talks to The Guardian about her plans for the Racial Imaginary Institute, a think-tank-cum-gallery that she's founding with all that MacArthur Genius cash. See also: why Americans love poetry, but not poetry books.