Vanity Fair remembers Christopher Hitchens, a favorite of ours who was always fun to root for, and who, as you’ve no doubt heard by now, died last night. Andrew Sullivan remembers an email exchange from happier times. Hitchens’ ebook from this year, The Enemy, is in our Hall of Fame, and we reviewed his memoir, Hitch-22, last year.
Writing for Airship Daily, Freddie Moore provides an overview of ten of her favorite unpublished J. D. Salinger stories. She also shares instructions on how to find – while being careful not to link directly toward – a “207-page trove of 22 out-of-print pieces available online.” This is for the best, considering the relationship between the Catcher in the Rye author, his unpublished works, and U.S. copyright.
Last week I asked “What about J.T. Leroy?” I was wondering when the Leroy hoaxers were going to come forward. Now, one of them has. Warren St. John of the New York Times got Geoffrey Knoop to come clean on the record. Knoop also said that he didn’t think Laura Albert, who wrote the Leroy books, would ever come forward: “‘For her, it’s very personal,’ he said. ‘It’s not a hoax. It’s a part of her.'”Meanwhile, PopMatters put together a special section about Leroy and James Frey. I enjoyed The Rake’s related comments on why Frey can’t hold a candle to Charles Bukowski.I saw Brokeback Mountain a few days ago and thoroughly enjoyed it. In an excerpt from Brokeback Mountain: Story to Screenplay, Annie Proulx describes what it was like seeing her story on the screen: “I felt that, just as the ancient Egyptians had removed a corpse’s brain through the nostril with a slender hook before mummification, the cast and crew of this film, from the director down, had gotten into my mind and pulled out images.” (via Maud)This Boston Globe column articulates quite precisely how I feel about the strife surrounding the cartoons of Mohammed published in a Danish newspaper.