Vanity Fair remembers Christopher Hitchens, a favorite of ours who was always fun to root for, and who, as you’ve no doubt heard by now, died last night. Andrew Sullivan remembers an email exchange from happier times. Hitchens’ ebook from this year, The Enemy, is in our Hall of Fame, and we reviewed his memoir, Hitch-22, last year.
Can the art of teaching art actually be exhibited? A new exhibition at the Institute of Contemporary Art in Boston about the one-time Asheville, NC institution Black Mountain College asks just such questions. Black Mountain College was a controversial, short-lived bastion of free-thought and artistic expression which hosted such figures as Josef Albers, John Cage, and Robert Creeley from 1933 to 1957.
“Embracing the transients and flâneurs, this is, in effect, a museum of Russian literature. And, being Russian, it becomes a museum of censorship and repression as well as art: of genius and bravery, blood and lies.” Snowdrops author A.D. Miller visits Ukraine’s Odessa State Literary Museum.
“Why is love rich beyond all other possible human experiences and a sweet burden to those seized in its grasp? Because we become what we love and yet remain ourselves.” The remarkable love letters of Hannah Arendt and Martin Heidegger are both touching and predictably philosophical. Here’s a jarring, surreal reimagining of three works of Arendt’s over at 3:AM Magazine.
“I’m a writer through and through, but the art world—to a large extent—provides the arena in which literature can be vigorously addressed, transformed, and expanded.” Frederic Tuten interviews Tom McCarthy about the overlap between the visual arts and literature, the importance of reading, and living, voraciously, and the power of Finnegans Wake for BOMB Magazine. Pair with our own Nick Ripatrazone‘s review of BOMB: The Author Interviews.