Vanity Fair remembers Christopher Hitchens, a favorite of ours who was always fun to root for, and who, as you’ve no doubt heard by now, died last night. Andrew Sullivan remembers an email exchange from happier times. Hitchens’ ebook from this year, The Enemy, is in our Hall of Fame, and we reviewed his memoir, Hitch-22, last year.
The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
Aspiring authors, take note. If you want to sell your latest book, grow another set of legs, some fur, and bark adorably. That’s what earned Uggie, the dog from The Artist, his forthcoming memoir, Uggie: My Story. Suddenly, our dog-book pun-a-thon from a while back seems prescient.
“There is a term in the legal world for such instructions — dead hand control — and, although compliance has varied and enforceability is debatable, they have been attempted by artists from Franz Kafka to a Beastie Boy.” The New York Times explores the potential impact of Edward Albee‘s will on his work, including his instruction that any manuscripts incomplete at the time of his death be destroyed. Pairs perfectly with Aaron Hamburger‘s recollection of staying at the famous playwright’s place out in Long Island for an artists’ residency.