Jo Nesbø has a new noir from the North this week, The Leopard. Also out: Richard Nash’s Red Lemonade continues to re-release the backlist of Millions favorite Lynne Tillman; this week it’s Motion Sickness and No Lease on Life.
Get Your War On creator and How to Sharpen Pencils author David Rees was recently interviewed about his new show on the National Geographic channel. The premise behind the new venture is simple: “anything in the world that seems like there’s nothing to learn about, that’s what we want to learn about.”
In case you were wondering why “old media” companies continue to cling to print: Based on ad revenue, a print reader is worth $709, while an online reader is worth just $46. (via)
The Guardian‘s Max Liu highlights several rising star Asian American authors, including Year in Reading 2017 participant Jenny Zhang. “After years on the peripheries of US fiction and poetry, Asian American authors have stepped into the spotlight during 2017. Books by writers of east and south-east Asian heritage are one of the hottest trends this year. […] Transcultural writers, born to immigrant parents in the US or immigrants themselves as children, they are channelling their experiences into writing that, with perfect historical timing, challenges readers to resist attacks on immigrants’ rights and to see refugees as individuals with unique stories.”
Steve Jobs, a new movie written by Aaron Sorkin, directed by Danny Boyle, and based on Walter Issacson’s biopic, will be released in theaters on October 23rd. Watch the official trailer and read a review at The Awl. Pair with our essay on Jobs’s legacy and Apple’s private beach.
If you’re eagerly anticipating the next edition of the Oxford English Dictionary, be prepared to wait until 2034. You can blame the internet for the delay, which has made research easier but also leads to information overload. There are so many new words that the dictionary would be 40 volumes if it ever makes it to print, but expect it to be only online instead. For more on the new OED, read a profile of new editor Michael Proffitt.