The self-proclaimed Christian parenting book, To Train Up a Child, has come under fire in the wake of the three child deaths. Critics started an online petition asking Amazon chief Jeff Bezos to stop selling the book; over 9,000 people have signed it.
The Times has announced its long-awaited (and -feared) digital subscription plan: “Under the plan, which begins on March 28, visitors to NYTimes.com will be able to read 20 articles a month free. The most frequent users will pay $15 a month; print subscribers will have unlimited access.” A letter to readers about the plan from Publisher Arthur Ochs Sulzberger Jr.
Chances are that your mental image of Pavlov is that of a man giving commands to a barking dog. However, as a new biography makes clear, the doctor who brought us his very own adjective has a far more complicated legacy. In The New Yorker, Michael Specter writes about the man behind the bell.
“Maybe Gnossos, had [Richard] Fariña lived long enough for a sequel, would have wound up on a commune in Canada, nibbling feta and blissed out on retsina, exhaling paregoric joints in some lush and fragrant garden … But he died in his twenties, like a lot of energetic young men of his era. It was the kind of romantic death we feel we understand almost too well, a promising talent suspended, that sense of exemption he wrote about—from mediocrity, from bourgeois compromise and midlife disappointment—a membrane forever intact.” On the enduring joys and exuberant voice of Richard Fariña’s Been Down So Long It Looks Like Up To Me.
“I know the words for elk and water. There are other Shawnee nouns as dense as koans with metaphor and meaning, but they remain inscrutable to me.” Poet Laura Da’ authors the most recent Rumpus Saturday essay, a stunning meditation on concessions made to both the body and the body politic. A member of the Eastern Shawnee Tribe of Oklahoma, Da’ is the author of Tributaries, a 2016 American Book Award winner. See also: our review of Philip Meyer’s latest novel, The Son.
That Kickstarter is offering more opportunities than ever to literary projects, from Coffee House Press’s Catstarter to the Joan Didion documentary to the Reading Rainbow spin-off, is indisputable. Now there’s yet another worthy cause turning to the crowd-sourcing platform in search of an audience: The Riveter, a magazine of longform journalism by women.