Portland neighborhoods are nurturing camaraderie with little red library boxes.
Portland’s Mini Libraries
Septuagenarian Akutagawa Prize Winner
Paging Sonya Chung and the rest of the Bloom gang: one of this year’s Akutagawa Prize winners is a seventy-five year old woman named Natsuko Kuroda. How’s that for a Post-40 Bloomer? (h/t Dustin Kurtz)
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Butterball HR
McSweeney’s takes us behind the scenes of the Butterball hotline during the holiday craziness. You could also check out Alexander Cockburn’s short piece on Thanksgiving.
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Letter to Harlem
Over at Catapult, Morgan Jerkins writes on calling Harlem home. As she puts it, “Blackness is not one specific characteristic. It is many things, things that I have yet to discover. It means that different variations of blackness can find home in one another.”
Feminist Fiction
Chimamanda Ngozi Adichie is almost as famous for being sampled on Beyoncé’s latest album as she is for her novel Americanah. With that in mind, she discussed her writing process, hair blogs, and what feminism means to her in Elle. “It means that I am present in the world, and that I realize that there is a problem with the way we’ve constructed gender,” she said. For more Adichie, read her 2013 Year in Reading post.
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Joan Didion on Woody Allen
The New York Review of Books posts a vintage essay by Joan Didion on the films of Woody Allen: “This notion of oneself as a kind of continuing career—something to work at, work on, ‘make an effort’ for and subject to an hour a day of emotional Nautilus training, all in the interests not of attaining grace but of improving one’s ‘relationships’—is fairly recent in the world, at least in the world not inhabited entirely by adolescents. In fact the paradigm for the action in these recent Woody Allen movies is high school.”
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How to Write Like a Man
“She can write like a man, they said, by which they meant, She can write.” Claire Vaye Watkins writes for Tin House about the problem that has no name. Also check out this Millions piece on sexism in the age of the internet.
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