Portland neighborhoods are nurturing camaraderie with little red library boxes.
“Check it out for yourself to marvel at the the long history of our language, including but not limited to the origins of the term ‘rock snot.’” The AV Club reports that the word nerds at Merriam-Webster have launched Time Traveler, a new tool that lets users look at the timing around when new words entered the print lexicon. Consider, also, authority and American usage.
“Say surrender. Say alabaster. Switchblade. / Honeysuckle. Goldenrod. Say autumn. / Say autumn despite the green
in your eyes. Beauty despite / daylight. Say you’d kill for it. Unbreakable dawn / mounting in your throat. / My thrashing beneath you / like a sparrow stunned / with falling.” Last week, Ocean Vuong published his newest collection, Night Sky With Exit Wounds. This week, it seems to be all anyone can talk about (because it’s fantastic). Here’s a piece from The New Yorker on Vuong and his designs for the English language.
If J.D. Salinger had it his way, we would all probably be dead by the time we got to read his unpublished works. However, someone leaked scans of a paperback entitled Three Stories, including the Catcher in the Rye precursor, “The Ocean Full of Bowling Balls,” on eBay on Wednesday. You can view the PDF here.
“For our readers, time is the precious commodity they invest in every book they decide to purchase and read. But time is being ground down into smaller and smaller units, long nights of reflection replaced with fragmentary bursts of free time. It’s just harder to make time for that thousand-page novel than it used to be, and there are more and more thousand-page novels to suffer from that temporal fragmentation.” Tor.com on why novellas are the form of the future.
Has Joan Didion become “the Ultimate Literary Celebrity“? In an article for the New Republic Laura Marsh says “yes,” and then explains how that happened. Marsh’s efforts pair well with Franklin Strong‘s recent Millions essay on “The Manliness of Joan Didion,” Joan Didion being a literary figure who easily adapts to any description.
“…its woman-centredness also hints at feminism’s dirty secret: that feminists might be feminists because they are supremely interested in themselves, even if that interest is in the shape of self-doubt. While Sheila says that it’s great to be a woman because what a female genius should be hasn’t yet been established, that is also the problem of being a woman.” The London Review of Books addresses the problems of Sheila Heti’s How Should A Person Be?. For another perspective, don’t miss our interview with Heti.