With New Year’s Eve looming, LA Weekly is forgoing their usual cookbook of the week in favor of a cocktail book—The PDT Cocktail Book by Jim Meehan and illustrator Chris Gall, the only beverage book that made it into their Best of 2011 “cookbook” list.
PDT Cocktail Book
Letter from Scott Turow
Anyone who cares about the financial viability of the book business should read Author’s Guild President Scott Turow’s open letter on the implications of the government’s threatened anti-trust suit against major publishers and Apple over alleged collusion in e-book pricing.
How to Pitch Your Addiction Memoir
A writer pitches an addiction, and a subsequent addiction memoir (working title: Running Up a Glass Hill on Roller Skates) to a publisher, at McSweeneys.
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Litterae Publicae
Azar Nafisi thinks the best way to pin down a culture is to take a look at its canonical works of literature. In The Republic of Imagination, as Adam Begley details in a review in the Times Literary Supplement, she examines a few of America’s classic novels, including Babbitt, Huck Finn and The Heart is a Lonely Hunter. You could also read Jonathan Russell Clark’s review of the book for The Millions.
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Mark It Up
Recommended Reading: Laura Miller’s argument for writing in books. You could also read Sam Anderson’s marginalia in Dan Brown’s Inferno, as well as his Year in Marginalia from 2010.
Can’t We Go Back to Page One
A memoir by Winnie-the-Pooh author A.A. Milne shows a writer frustrated at how his creation undermined his adult literary cred. Republished 70 years after it went out of print, It’s Too Late Now reveals a trapped Milne wishing for more control over his own narrative: “I wanted to escape from [children’s books] as I had once wanted to escape from Punch; as I have always wanted to escape. In vain. England expects the writer, like the cobbler, to stick to his last.”
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