With New Year’s Eve looming, LA Weekly is forgoing their usual cookbook of the week in favor of a cocktail book—The PDT Cocktail Book by Jim Meehan and illustrator Chris Gall, the only beverage book that made it into their Best of 2011 “cookbook” list.
“The city has the beckoning power of a black hole or the Italian countryside or a castle. There is no way to explain our wiring to someone whose fairytale has always ended somewhere like Florida.” Aisha Sabatini Sloan on calling Detroit home, over at The Offing. Also check out Bill Morris’s Millions piece on movies set in the city.
Has Edward St. Aubyn killed the existentialist novel? Jacob Kiernan at Full Stop Magazine has a few ideas about it. If it’s existential quandary you’re after, this essay for The Millions on the beautiful afterlife of books–which may not be so much of an afterlife, after all–will be perfect for you.
Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.
“Our Aesthetic Categories, though, argues on behalf of aesthetic experiences that aren’t quite so awe-inspiring or rare. Sitting before your computers or walking the streets of your town, you don’t encounter beautiful things as frequently as you do interesting, momentarily arresting ones—and as for the sublime, when was the last time you experienced catharsis? Instead, [Sianne] Ngai considers our ‘minor’ aesthetic experiences, the ones that make up our day.” In the era of adorkable and nerd chic, Slate looks at Our Aesthetic Categories: Zany, Cute, Interesting.