December 15th. New York City. Mark your calendars. John Jeremiah Sullivan and Wells Tower discuss “the art of the essay in light of Sullivan’s new book, Pulphead.”
"I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour." Catherine Lacey writes for The Paris Review's "Revisited" series, "in which writers look back on a work of art they first encountered long ago." Pair with our own Bill Morris's consideration of artists whose works channel writers.
Karen Russell is everywhere these days. She’s sharing her favorite books about Florida with The New York Times, she’s being interviewed about her writing process on our site, and she’s publishing short fiction for Electric Literature’s Recommended Reading blog. Oh, and she has a new book out, too, as you might have heard.
Chances are that Hemingway is the only writer who comes to mind when you think of Spanish bullfighting. Well, clear some space in your mental sphere, because A.L. Kennedy wrote another entry in the bullfighting canon. On the Ploughshares blog, Miles Wray takes a look at Kennedy’s 2001 On Bullfighting.
Recommended listening: Benjamin Percy, whose novel The Dead Lands was released just this week, sings "Mammas Don't Let Your Babies Grow Up To Be Writers" for the debut episode of Poets & Writers's new podcast, Ampersand.
"The contradictions of [Madeleine] L’Engle’s life offer the best insights into the complicated acrobatics we perform in the modern world in order to satisfy the competing claims of love, family, success, and ambition....While the person that emerges could be tiresome, didactic, and just plain weird—why is everyone always breaking into a hymn at her house?—she could also be tender and offered real insights into the difficulties of growing up." There's a new biography of the A Wrinkle In Time author out, and The New Republic examines her life's many complexities and, well, wrinkles.