The results of this year’s Goodreads Choice Awards are in, and a debut novelist took home Favorite Book of 2011 honors. Veronica Roth, author of Divergent, thanks her fans in this video. Other notable winners include Haruki Murakami’s 1Q84 and Tina Fey’s Bossypants, which won the Best Fiction and Best Humor categories, respectively. (They were also reviewed on The Millions here and here, respectively.)
Following last week’s Sotheby’s auction, the archives of Soviet filmmaker Andrei Tarkovsky will soon be headed back to Russia. The collection amounts to “several thousand working manuscripts, personal photographs, recordings and private documents” and it sold for a whopping £1.5 million.
Suzan-Lori Parks wrote a play every day during Trump’s first 100 days as president which will be published next year as 100 Plays for the First Hundred Days. She talks to American Theatre about why she decided to undertake such a project, how difficult the process was and the importance of showing up and being present. Includes excerpts from the book.
“The entire manuscript was written with the E-type bar of the typewriter tied down; thus making it impossible for that letter to be printed. This was done so that none of that vowel might slip in, accidentally; and many did try to do so!” Abe Books tells the tale of Gadsby, a self-published 50,000-word novel written without using the letter “e.” Its author, Ernest Vincent Wright, won some notoriety when he accomplished the feat – called a lipogram – in 1939, although it’s unlikely Wright could have foreseen that individual copies of his book would eventually fetch prices upward of $1,200. And if it’s literary hijinks you’re after, definitely read our own Anne Yoder on the work of Georges Perec, who wrote a lipogram of his own in 1969.
“It’s corrosive going down, you wonder if he had to add quite so much vinegar and horseradish, but afterward the effect is invigorating.” Aaron Thier at The Nation reviews Rafael Chirbes’ newest novel, On The Edge. The book admittedly gives no pleasure, yet is nonetheless worth reading as it operates like more of a “psychological health tonic,” instead.
The office novel, by nature, is a tricky construct, if only because your average white-collar job doesn’t offer much in the way of fiction-worthy moments. That said, recent books like Then We Came to the End by Joshua Ferris demonstrate how fruitful it can be to wring drama out of the rat race. In the latest issue of Dissent, Cubed author Nikil Saval delves into the contradictions of office fiction. FYI, Saval wrote a Year in Reading entry for us.